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Oscar Watch: Where Are The Hurt Locker Screeners?

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood November 17, 2009 at 11:34AM

At the start of the awards season, I had The Hurt Locker at the top of my top ten picks list. But right now quite a few other movies are getting more noise. That doesn't matter in the end. Finally, the Academy voters will dig back to all the films they saw this year, especially when they don't have time to see all the marginal indies in their DVD stack. It's more likely that they will remember the movies that the critics pick for their top ten lists at the end of the year, or that other awards groups like the Gothams, Critics Choice or Golden Globes anoint as must-sees.
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Thompson on Hollywood

At the start of the awards season, I had The Hurt Locker at the top of my top ten picks list. But right now quite a few other movies are getting more noise. That doesn't matter in the end. Finally, the Academy voters will dig back to all the films they saw this year, especially when they don't have time to see all the marginal indies in their DVD stack. It's more likely that they will remember the movies that the critics pick for their top ten lists at the end of the year, or that other awards groups like the Gothams, Critics Choice or Golden Globes anoint as must-sees.

Finally, though, screeners are the best reminder. So where are those The Hurt Locker DVDs? At the New Moon party, I asked Summit's Rob Friedman, who denied that director Kathryn Bigelow was refusing to send out screeners because she wanted people to see the film on the big screen. (Ideally, that's where it should be seen; it's still playing in NY and LA.) Summit will send Academy screeners soon; they've already gone to the Hollywood Foreign Press Association.

This article is related to: Awards, Independents, Oscars, Golden Globes, Summit


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.