'Out in the Dark'
'Out in the Dark'

That's not surprising coming from a man who states without prompting that he doesn't want to go into his own personal political views. But it's also testament to the film's capable and compassionate screenplay, co-written by Mayer and Yael Shafrir, a writer friend Mayer knew from high school in Israel.  And though Mayer and Shafrir fall on opposite ends of the political spectrum, Mayer says--"She's very much to the right; I'm very much to the left"--they agreed together to focus foremost on the romance and to write the politics from their two divergent viewpoints, with the aim of creating a sense of balance.

This isn't a film that sets out to 'tell both sides of the story,' per se--after all, how would it ever truly be possible to do so?--but rather incorporates the stories of those on both sides without editorializing.  For example, Mayer met the film's costume designer, Hamada Atallah, a member of the gay Palestinian community in Tel Aviv who has organized the kinds of parties like the one where Nimr and Roy first meet, before Mayer even had a script.

Mayer doesn't speak Arabic--although it is similar to his native Hebrew--so he relied on the many Arabic-speakers in his mixed Israeli/Palestinian crew as he directed what is essentially a bilingual film.  Astonishingly, the film's editor, Maria Gonzales, an American, cut "Out in the Dark" without a knowledge of either Hebrew or Arabic and with the help of a translator for only a few of the film's pivotal scenes.  Working outside of one's linguistic comfort zone, Mayer told me, "really makes you concentrate on performances."

"Out in the Dark" won Best Picture at the Haifa International Film Festival last year, opened on 18 screens in Israel and played for 10 weeks in Tel Aviv.  The reaction in Israel was mostly positive, Mayer says, with one repeated criticism: it should have made more of a political statement.  Some Palestinian audiences have seen the film in Haifa and Jerusalem, although Mayer's been told there's no operating theater in Ramallah.

The film opened to strong notices in Toronto, sold over 45 countries and nabbed a North American distributor, Breaking Glass Pictures. In Canada and the U.S., to Mayer's surprise, audiences were much more interested in the politics presented by the film than in Europe.

In between promoting his current film, Mayer's at work on his next one: a murder mystery adapted from a novel.  He's been taking a break from his previous bread-winning work in trailers--"right now," he tells me honestly, "I'm doing nothing"--and he hopes to make that a permanent sabbatical.  "Hopefully I'll just move on to the next feature and I won't dabble again in trailers.  But we'll see."