Click to Skip Ad
Closing in...
Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Of Time & Life: How 'Mad Men' Remade Television Of Time & Life: How 'Mad Men' Remade Television Nikki Finke Returns Nikki Finke Returns Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Festival Is Dominated by Two Hollywood Masters Cannes Festival Is Dominated by Two Hollywood Masters Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Weinstein Co. Offers Strong Slate at Cannes Weinstein Co. Offers Strong Slate at Cannes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes The Top 20 Episodes of 'Mad Men' The Top 20 Episodes of 'Mad Men' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

Review: Oscar-Nominated 'War Witch' Sees Trauma Through the Haunted Lens of Magical Realism

Photo of Beth Hanna By Beth Hanna | Thompson on Hollywood February 28, 2013 at 1:50PM

“War Witch,” Canada’s Oscar-nominated Foreign-Language entry, centers on a young African girl’s abduction into a rebel army, her escape, and the slow, painful process of liberating herself from the army’s traumatic, devastating reach. It is directed by French-Canadian Kim Nguyen, and is the second feature film in history to be shot in Kinshasa of the Democratic Republic of the Congo.
0
"War Witch"
"War Witch"

The music and sound design in “War Witch” is remarkable. The showstopper sequence happens early in the film, when Komona first sees her parents’ ghosts before battle. After the gunfire, men and boys lie dead on the ground, now painted white. As the mellow strains of African folk music kick in, the rebel soldiers' ghosts rise and walk somnambulistically through the forest, climbing trees. Later in the film, when Komona is free, she absentmindedly swings a heavy metal gate at the Butcher’s home. The reverberating, creaking sounds of the gate hold over into the next scene, transforming into an unsettling soundtrack as Komona suffers violent nightmares. She’s liberated from the rebels, but she’s also in a prison of traumatic memory. The everyday intrudes into dreams.

Mwanza, an acting newcomer discovered on the streets of Kinshasa, guides the film naturally. She has very few lines of dialogue, and much of Nicolas Bolduc’s observant cinematography focuses on the emotions subtly registered on her face. Because many of Komona’s most harrowing experiences occur when she would be at mortal risk to protest, Mwanza faces the difficult task -- and rises to the challenge -- of at once showing feelings and smothering them. It reminds us that strong performances are often powerful because of what is held back, and that strong characters (the stuff of great movies, really) are often fascinating because of their refusal to break.

This article is related to: Reviews, War Witch (Rebelle), Tribeca Film, Reviews, Palm Springs International Film Festival , Festivals, Festivals


E-Mail Updates






Festivals on TOH