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Cannes 2012: Lee Daniels' Nasty 'Paperboy' Reviews In A Poem

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood May 24, 2012 at 4:26PM

Lee Daniels' "The Paperboy" has arrived at Cannes, and it's receiving quite a reception. With stars like Nicole Kidman, Zac Efron, John Cusack, Matthew McConaughey and Macy Grey, it was always going to get attention. But critics are having a field day with its pulpy content.
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'The Paperboy'
'The Paperboy'

Lee Daniels' "The Paperboy" has arrived at Cannes, and it's receiving quite a reception. With stars like Nicole Kidman, Zac Efron, John Cusack, Matthew McConaughey and Macy Gray, it was always going to get attention. But critics are having a field day with the movie's pulpy content. Our Cannes review of the film is here, and Indiewire reports on responses to its early screening for buyers. Below, we've turned the glorious words of Indiewire, ThePlaylist, Variety, THR, Pajiba, The Guardian and The Telegraph's reviews into a poem. Enjoy...

THE PAPERBOY


Swampy, Southern, sweaty, socially divided and sex-mad summer

overstuffed

laughable images

a dead porcupine, bloated with rot in the sun


you cannot spoil what's already rancid


Efron

working his abs

sweaty and luxuriant

A dead possum

for symbolism, and stuff

Lurid, florid, humid, flaccid and insipid

Down and dirty


grungy exploitation melodrama


appealingly rough and rasty texture


a tale of murder, idealistic journalism, warped sexual desires


gloriously grubby




A half-naked

Efron

risibly overheated

Southern pulp trash

sticky, sweaty atmosphere of delirium and sexual frustration

only partly excuses

the woozy ineptitude



In the summer of '69

An aging sexpot with a prison fetish

A vision in hot-pink lipstick

deliciously tacky

a woman of strange, even telekinetic talents

Crazy Southern gothic

bathed in blood, sweat, urine, mud and crocodile guts

possessed by the spirits

of blaxploitation

and "Baywatch"


Serious commitment to outright silliness

A hypersexualized cartoon

stench will always linger

on the filmographies of everyone involved

Craptastic work of

self-importance.

A heady, humid swamp fever rises


gripping, scary and queasily funny picture

a dark threat which lurks like one of its gators just below the surface

A blowsy, sexy and very unstable woman


a romantic

sheer auto-erotic potency of that sweaty, dangerous criminal

Efron

the sad, motherless boy

A calamitous failure





a haggard old dog

morally questionable and smug

a dud through and through


summer so hot that

Efron

must walk around

in tiny white briefs


gay interracial BDSM sex

results in the loss of an eye, Nicole Kidman peeing on Efron’s face

You leave the cinema

feeling almost overwhelmed

by the badness.


Efron

filmed adoringly

kitted out in the manner of a gay 70s pornstar

Strictly without merit

a laughable potboiler


a sorry, limp, bedraggled mess

so bad it’s bad

Transcendentally awful



In the grand scheme

of dogs’ dinners

The Paperboy is a ten course canine tasting menu

with wine pairings.

Accidentally bad or deliberately camp


To find favour only amongst

connoisseurs of tat

Steams straight past authenticity

into the realms of bad pastiche


“If anyone is going to piss on that boy,

it’s going to be me."

This article is related to: Cannes Film Festival, Reviews, Reviews, Critics, The Paperboy, Lee Daniels, Nicole Kidman


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