Click to Skip Ad
Closing in...
Woody Allen Reveals Cast of His Next Film Woody Allen Reveals Cast of His Next Film Teasing More Toronto Reveals: How the Festival Landed Opener 'Demolition' and that Secret Michael Moore Doc Teasing More Toronto Reveals: How the Festival Landed Opener 'Demolition' and that Secret Michael Moore Doc The Surprisingly Complicated Legacy of 'The Daily Show with Jon Stewart' The Surprisingly Complicated Legacy of 'The Daily Show with Jon Stewart' Robert Pattinson Follows Harmony Korine to Miami for Revenge Thriller 'The Trap' Robert Pattinson Follows Harmony Korine to Miami for Revenge Thriller 'The Trap' Weinstein Co. and Radius Figure Out Hybrid Amazon Release Plan for Fassbender's 'Macbeth' Weinstein Co. and Radius Figure Out Hybrid Amazon Release Plan for Fassbender's 'Macbeth' Top 10 Takeaways: 'Mission: Impossible - Rogue Nation' Opens Strong, But Summer 2015 Has Peaked Top 10 Takeaways: 'Mission: Impossible - Rogue Nation' Opens Strong, But Summer 2015 Has Peaked Arthouse Audit: Controversy Reigns as 'End of the Tour' Tops Limited Newbies and Weinstein Dumps Jeunet's Latest Arthouse Audit: Controversy Reigns as 'End of the Tour' Tops Limited Newbies and Weinstein Dumps Jeunet's Latest Friday Box Office: Cruise and 'Mission: Impossible' Do Their Part, But Grosses Lag Friday Box Office: Cruise and 'Mission: Impossible' Do Their Part, But Grosses Lag Fall Calendar Reveals Awards Itinerary and Stealth Contenders Fall Calendar Reveals Awards Itinerary and Stealth Contenders Sarajevo Film Fest Lineup Has Auteurs, Cannes Winners and Favorites Sarajevo Film Fest Lineup Has Auteurs, Cannes Winners and Favorites Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) First Look: Cynthia Nixon Plays—and Narrates—Emily Dickinson in Two Films First Look: Cynthia Nixon Plays—and Narrates—Emily Dickinson in Two Films Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film How HBO's 'Ballers' Fails Sports Fans How HBO's 'Ballers' Fails Sports Fans Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers

LA Film Critics Award-Winner Mazursky Talks Career, Kubrick, Tempest, Hollywood

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood January 14, 2011 at 6:35AM

Paul Mazursky, 80, has always been a one-of-a-kind Hollywood filmmaker. He started out as an actor, wrote (often with a partner), directed and produced his films, and he hasn't stopped. He directed a 2006 documentary about a meeting of Hassidic Jews in the Ukraine (Yippee), directs theater and is prepping a Broadway musical version of Moon Over Parador. The director flourished inside the studio system during the 70s and 80s, a time when execs allowed all sorts of things to happen that they wouldn't today. Movies didn't cost as much. A single exec actually in charge of production could greenlight a movie. We talk about this in the flip cam interview below, as well as starting off his film acting career in 1953 on Stanley Kubrick's first film, Fear and Desire, Mazursky and Julie Taymor's different takes on Shakespeare's The Tempest, and what's wrong with Hollywood today, where it's hard to imagine any studio head greenlighting a film about an old man and his cat.
1
Thompson on Hollywood

Paul Mazursky, 80, has always been a one-of-a-kind Hollywood filmmaker. He started out as an actor, wrote (often with a partner), directed and produced his films, and he hasn't stopped. He directed a 2006 documentary about a meeting of Hassidic Jews in the Ukraine (Yippee), directs theater and is prepping a Broadway musical version of Moon Over Parador. The director flourished inside the studio system during the 70s and 80s, a time when execs allowed all sorts of things to happen that they wouldn't today. Movies didn't cost as much. A single exec actually in charge of production could greenlight a movie. We talk about this in the flip cam interview below, as well as starting off his film acting career in 1953 on Stanley Kubrick's first film, Fear and Desire, Mazursky and Julie Taymor's different takes on Shakespeare's The Tempest, and what's wrong with Hollywood today, where it's hard to imagine any studio head greenlighting a film about an old man and his cat.

Over a string of strong movies, many of them hits (Down and Out in Beverly Hills, Moscow on the Hudson), Mazursky attacked a wide range of subjects with brio, humor and humanity. He earned four screenplay Oscar nominations and directed six actors to Oscar noms, including the late Jill Clayburgh (A Married Woman) and Art Carney, who won for Harry & Tonto, which screened Thursday at the L.A. County Museum, followed by a Mazursky Q & A. There's talk of a remake of his iconic comedy Bob & Carol & Ted & Alice in 3-D (he responds here). The director, who hangs with his screenwriter pals at the Farmer's Market every week and is a pleasure to listen to at any dinner party, met with me at his office in Beverly Hills.

Part One:

Part Two:


Part Three:

Part Four:

Part Five:

This article is related to: Awards, Box Office, Directors, Genres, Hollywood, Independents, Video, Interviews , Media, Marketing


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.