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PGA Awards: 'Argo' Wins Big, Plus 'Sugarman,' 'Homeland,' 'Modern Family'; Tributes to Weinsteins, Abrams & Working Title

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood January 27, 2013 at 3:34AM

"Argo" is on a roll. Ben Affleck's movie won again at the Producers Guild Awards, setting the tone for the weeks leading to the Oscars as one of statistical chances. Without also receiving a Best Director Oscar nomination, four other films have won the PGA's top prize ("Driving Miss Daisy," "Apollo 13," "Moulin Rouge," and "Little Miss Sunshine").
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Argo, streets
'Argo'

"Argo" is on a roll. Ben Affleck's movie won again at the Producers Guild Awards, setting the tone for the weeks leading to the Oscars as one of statistical chances. Without also receiving a Best Director Oscar nomination, four other films have won the PGA's top prize ("Driving Miss Daisy," "Apollo 13," "Moulin Rouge," and "Little Miss Sunshine"). Since the PGAs have predicted the Oscars' Best Picture winner five years in a row, 2012 may be one for the history books. Or, this super-competitive year is not easy to call. "Lincoln" and SAg-favorite "Silver Linings Playbook" --not to mention "Life of Pi," are still in the running.

Before Affleck accepted the award for "Argo," (his speech started with "I'm really surprised, I am not even a member of the Producers Guild!"), the Guild presented many other awards--for Oscar doc fave "Searching for Sugar Man," cable series "Homeland," network comedy "Modern Family," cable movie "Game Change," comedy show "The Colbert Report" and others--and tributes were given during the black-tie event at the Beverly Hilton Hotel.

PGA awards

Among the evening's honorees were Harvey and Bob Weinstein (Milestone award). JJ Abrams (Norman Lear Achievment in TV award), Working Title's Tim Bevan and Eric Fellner (David O. Selznick Achievement in Theatrical Motion Pictures), Russell Simmons (Visionary Award), and Lee Hirsch and Cynthia Lowen's "Bully"--for its illumination of the issue of bullying.

The night opened with a video musical repurposing "Do Re Mi" for the plight of the producer, as sung by Mark Gordon, Hawk Koch, Paula Wagner, Michael DeLuca, and Norman Lear. "Do, Oh Shit, We Need More Dough," and "When you're job is on the brink, you'll be trashed by Nikki Finke…" You get the idea.

Presenter Chris Tucker personally thanked all of the producers who made him rich, while Nicole Kidman got right to the point while naming the Best Film. Other presenters included Bradley Cooper, Naomi Watts, Robert De Niro, Jennifer Garner and Channing Tatum. (Yes, he totally stripped on stage.)

In her flawlessly delivered introduction to Abrams (a gift she expects to be repaid for with more work; he gave her "Alias"), Garner gushed about the wunderkind producer/director. "The more excited he gets about the day, the taller his hair gets." Upon taking the stage, Abrams started, "Typical week…" He proceeded to deliver the night's best acceptance speech, concluding with the story of how Norman Lear--the namesake of his award--was the first person to show up at his parents' house for his mother's shiva this past June. He said there wasn't a chance he'd have done anything or been standing there without her influence.

While Hirsch and Lowen accepted their award for "Bully," Hirsch thanked Harvey Weinstein especially: "everything you promised happened."

Fellner and Bevan's award was introduced by Anne Hathaway, who took time to personalize her speech (she also sang her way through their highlight reel, via "Les Miserables"). Fellner stumbled charmingly through a long speech, at one point declaring that what they do is to ultimately enable "really talented people," and apparently have done so without ever once yelling at anyone.

This article is related to: Producers Guild Awards, Argo, Ben Affleck, The Weinstein Co., Harvey Weinstein, Awards, Awards, Academy Awards


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.