Some New York critics including The New Yorker's David Denby have some trouble with the latest Coens movie, starring newcomer Michael Stuhlbarg (which has earned raves in most quarters). Time's Richard Corliss does not.
And while An Education played great at Sundance, Telluride and Toronto as well as my first UCLA Sneak Preview last week, during the Q & A one man asked director Lone Scherfig, who hails from Denmark, why she included all the Jewish material. She had fielded this question before. She said the folks on the production took it very seriously. One, the movie is true to the original memoir, and two, the fact that some people in the 60s took advantage of racism to drive people out of their apartments by moving in blacks is well-documented, she said. Just because the characters played by Emma Thompson and Alfred Molina act like racists doesn't mean the film is racist, she pointed out.
Reaction to Roman Polanski's legal limbo continues to pour in.
Cokie Roberts takes it a bit far.
Chris Rock goes after Polanski on Leno:
Manager Joan Hyler makes a triumphant comeback from a near-fatal auto accident.
Ex-LAT online entertainment editor Richard Rushfield, now Gawker's west coast editor, tells it all to USC.
Peter Sellers channels Sir Laurence Olivier as Richard III as he recites The Beatles' A Hard Days Night:
[hat tip: James Urbaniak]