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Poster Watch: Eastwood's J. Edgar Features Angry Multi-Colored DiCaprio

Thompson on Hollywood By Anne Thompson and Sophia Savage | Thompson on Hollywood October 7, 2011 at 4:19AM

New word on Clint Eastwood's J. Edgar from someone who has seen it: Leonardo DiCaprio is even better as the old J. Edgar Hoover than he is as the young one. The movie, written by Milk Oscar-winner Dustin Lance Black, cuts back and forth between the beginning and the end of Hoover's stellar five-decade FBI career, and suggests the tragedy of a hidden romance between the FBI chief and his longtime assistant Clyde Tolson (Armie Hammer). And yes, DiCaprio gives an Oscar-worthy performance. "To me, it's really a story of how absolute power corrupts absolutely," the star told EW. "He was always an outsider."
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New word on Clint Eastwood's J. Edgar from someone who has seen it: Leonardo DiCaprio is even better as the old J. Edgar Hoover than he is as the young one. The movie, written by Milk Oscar-winner Dustin Lance Black, cuts back and forth between the beginning and the end of Hoover's stellar five-decade FBI career, and suggests the tragedy of a hidden romance between the FBI chief and his longtime assistant Clyde Tolson (Armie Hammer). And yes, DiCaprio gives an Oscar-worthy performance. "To me, it's really a story of how absolute power corrupts absolutely," the star told EW. "He was always an outsider."

Check out the new poster for J. Edgar. What could he be saying? Let's insert a Hoover quote: "The individual is handicapped by coming face to face with a conspiracy so monstrous he cannot believe it exists." Here is the trailer (which left us cold) and Eastwood and DiCaprio talking the film's gay content with GQ. The film will open the 25th AFI FEST on November 3, before its release the following week.

Thompson on Hollywood

This article is related to: Directors, Genres, Headliners, First Look, Clint Eastwood, Biopics, Leonardo DiCaprio


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.