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Quentin Tarantino’s Official Top Eleven of 2011

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood January 14, 2012 at 2:37AM

Here is Quentin Tarantino’s official Top Eleven of 2011, per the Tarantino Archives. I am happy to see that Tarantino shares my love of "Rise of the Planet of the Apes," as a script and as a movie. I love it that "The Artist" ties with another Weinstein Co. film, "Our Idiot Brother." He does seem to admire Hazanavicius, as he puts him on his best director list. As "Iron Lady" and "My Week with Marilyn" are also on his list, methinks he is being kind to the Weinsteins.  
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Woody Allen with Owen Wilson, on the set of "Midnight in Paris"
Sony Classics Woody Allen with Owen Wilson, on the set of "Midnight in Paris"

Here is Quentin Tarantino’s official Top Eleven of 2011, per the Tarantino Archives. I am happy to see that Tarantino shares my love of "Rise of the Planet of the Apes," as a script and as a movie. I love it that "The Artist" ties with another Weinstein Co. film, "Our Idiot Brother." He does seem to admire Hazanavicius, as he puts him on his best director list. As "Iron Lady" and "My Week with Marilyn" are also on his list, methinks he is being kind to the Weinsteins.

Oscar Watch: Tarantino and Almodovar to Present at Oscars

1. Midnight In Paris
2. Rise Of The Planet Of The Apes
3. Moneyball
4. The Skin I Live In
5. X-Men: First Class
6. Young Adult
7. Attack The Block
8. Red State
9. Warrior
10. The Artist / Our Idiot Brother (tie)
11. The Three Musketeers

Others considered in no particular order

50/50
Beginners
Hugo
The Iron Lady
Carnage
Green Hornet
Green Lantern
Captain America
The Descendants
My Week With Marilyn
Fast Five
Tree Of Life
The Hangover Part II
Mission Impossible 4
The Beaver
Contagion
The Sitter
War Horse

Nice Try Award

Drive
Hannah
Drive Angry
Real Steel

Best Director

Pedro Almodovar
Bennett Miller
Woody Allen
Jason Reitman
Michel Hazanavicius

Best Original Screenplay

Midnight In Paris
Young Adult
Red State
Attack The Block
Our Idiot Brother
Beginners

Best Adapted Screenplay

Moneyball
The Skin I live In
Carnage
Rise Of The Planet Of The Apes
Hugo
X-Men: First Class

Worst Films

Sucker Punch
Potiche (Trophy Wife)
Miral
Insidious
Rampart
Straw Dogs
Paranormal Activity 3
Meek’s Cutoff
 

This article is related to: Quentin Tarantino, Reviews


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.