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Relativity Beefs Up Fall Slate with Forster's Machine Gun Preacher, Banks on Genre for 2011/2012

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood July 7, 2011 at 8:20AM

Neophyte distributor Relativity's future is banked on its 2011/2012 schedule, which is packed with genre fare (see full line-up below). Much production coin and P & A is invested in this slate. Relativity has now beefed up its fall lineup by taking back North American rights from Lionsgate of its own production of Marc Forster's Machine Gun Preacher, starring Gerard Butler as real-life reformed criminal Sam Childers.
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Thompson on Hollywood

Neophyte distributor Relativity's future is banked on its 2011/2012 schedule, which is packed with genre fare (see full line-up below). Much production coin and P & A is invested in this slate. Relativity has now beefed up its fall lineup by taking back North American rights from Lionsgate of its own production of Marc Forster's Machine Gun Preacher, starring Gerard Butler as real-life reformed criminal Sam Childers.

Having co-financed a series of Sony and Universal films, Relativity Media is betting on the increased returns and control that come from releasing your own projects and being freed from outdated studio ancillary windows (via a lucrative Netflix output deal). But as CEO Ryan Kavanaugh knows, that equation brings considerable risk.

Relativity and Forster were eager to release the East African action drama in 2011, earlier than Lionsgate had planned; the film will open in Los Angeles and New York on September 23, 2011 and will then expand. Lionsgate will keep international distribution on the film, in partnership with Relativity. “We have a longstanding relationship with Marc, and given that together we felt it was best for the film to be released domestically this year, we are very happy that Relativity is able to handle it,” explains Mike Paseornek, Lionsgate’s motion picture production president.

Written by Jason Keller (Relativity’s currently filming untitled Snow White project), the film follows ex-drug-dealer Childers, whose new faith leads him to East Africa where he builds a safe haven for refugee children fleeing brutality in Sudan. The film's ensemble includes Michelle Monaghan, Kathy Baker, Michael Shannon and Souleymane Sy Savane. Relativity’s Robbie Brenner, Safady Entertainment’s Gary Safady and Craig Chapman and GG Filmz’s Deborah Giarratana are producers.
 
Machine Gun Preacher now joins two Relativity fall releases: David Ellis’ Shark Night 3D (September 2) and Tarsem Singh's costly 3-D period actioner Immortals (November 11).

2012 kicks off with Steven Soderbergh's kickboxing actioner Haywire (January 20), followed by pricey acquisition, the Bandito brothers' Navy SEAL actioner Act of Valor, on President's Day Weekend (February 17), James McTeigue's mystery thriller The Raven, starring John Cusack as Edgar Allen Poe (March 9), Singh's untitled contemporary retelling of Snow White, starring Lily Collins, Armie Hammer and Julia Roberts (March 16), Peter Farrelly and Charles Wessler's dangerous comedy Movie 43, starring Butler and Elizabeth Banks and many, many others (April 13), thriller House at the End of the Street, starring Jennifer Lawrence (moved back to April 20 from February 3), and still-to-shoot projects from Lasse Hallstrom (romantic mystery Safe Haven, June 1) and Philip Noyce (international thriller Hunter Killer, December 21).

The proof, as they say, is in the pudding.
                                                            


This article is related to: Box Office, Directors, Genres, Headliners, Indies, Steven Soderbergh, Thriller, Period, Fantasy, Drama, Action


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.