Fincher is a director now synonymous with the A-level budgets he commands, yet the projects he chooses often have B-movie pulpiness at the heart. On more than one occasion his films have revolved around serial killers (“Se7en,” “Zodiac” and “The Girl with the Dragon Tattoo”), a sub-genre with a natural tendency away from traditional prestige and toward down-and-dirty exploitation. Talky political dramas don’t often have this trapping, which is what makes “House of Cards” refreshing. It’s a well-oiled, classy production with an over-the-top soul.

In full disclosure, I was only able to preview the series’ first two episodes, which is where Fincher’s direction begins and ends. (And, in the spirit of said disclosure, I’m a big fan of Fincher.) Whether the show will keep up its slickly humming suspense and diabolical dialogue--which approaches cheesiness without succumbing to it--remains to be seen. (Some folks may be consuming the series all in one go; NYT analysis of binge-watching here; LAT here.)

Included in the list of directors to take over helming duties are Joel Schumacher, Carl Franklin and Allen Coulter. They have between them on their resumés, among other things, “The Lost Boys,” “Devil in a Blue Dress” and episodes of “The Sopranos,” so the class-camp balance may continue to be struck. Aside from Spacey, Wright, Stoll and Mara all turn in solid performances, in tune with the carnivorous tone of the show. I’m rooting for this house of cards to stand its ground.

All 13 episodes of "House of Cards" are available for streaming starting February 1 on Netflix (and the first episode is streaming for free here). Find out more about the series' high production budget and confirmed second season, as well as Netflix's commitment to the content business, here.