Click to Skip Ad
Closing in...
Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

'Salinger' Catches Solid Opening Numbers

Photo of Tom Brueggemann By Tom Brueggemann | Thompson on Hollywood September 8, 2013 at 3:23PM

This weekend is usually the calm before the storm as a range of upcoming significant films get attention at Toronto. Normally otherwise occupied distributors avoid this post-Labor Day date like the plague. Nonetheless a likely record 30 new specialized/indie releases found theaters in New York and Los Angeles, including six from this year's Sundance Film Festival and two from the currently running Toronto Fest. Of the films reported grosses, only one -- Weinstein's "Salinger" -- showed significant strength, unusual for this time of year.
0
'Populaire'
'Populaire'

"Populaire" (Weinstein) - Criticwire: B-; Metacritic: 55; Festivals include: City of Lights City of Angeles 2013, San Francisco

$16,700 in 3 theaters; PSA: $5,567

This French 1950s-set comedy stars Berenice Bejo as a secretary who catches the eye of her boss. Not particularly well-reviewed and showing lower than usual Weinstein ad buys in New York and Los Angeles, it managed a weak result that doesn't suggest any major hope for much wider exposure.

What comes next: This looks headed for quick playoff (Landmark Theatres' website shows this opening next Friday for one week only in a handful of markets) before Weinstein moves on to much bigger films the rest of the year.

Other openings:

Among the other films reporting, none had a PSA over $2,200 with varying levels of release. The biggest gross and widest film was "The Ultimate Gift," a Christian-themed novel adaptation starring Peter Fonda as a grandfather whose diary inspires a young billionaire to adjust his life. From High Top Productions, it managed $650,000 in 412 theaters.

"Adore" (Exclusive), an Australian production starring Naomi Watts and Robin Wright whose friendship is complicated when each is attracted to the other's son, was shown at Sundance as "Two Mothers." It managed only $125,000 in 57 theaters (it's also on VOD). Image Releasing opened "Winnie Mandela" with Jennifer Hudson, a Toronto gala two years ago (as is her then-husbands biopic this year), with a weak $69,600 in 32 theaters. 

Magnolia launched two new films, Lynn Sheldon's Sundance-premiered "Touchy Feely," a big step down at $4,000 in only two theaters in New York and Portland after her similar "Your Sister's Sister" last year. They also more successfully opened the Beatles-related doc "Good Ol' Freda" in Los Angeles only to $8,000. Millenium's actioner "Hell Baby" did the worst, with a $500 PSA in 10 theaters. All three had VOD availability as well.

Ongoing/expanding

Sony Pictures Classics' "Blue Jasmine" extended its lead as the highest grossing specialized film so far this year, with continued strength getting back into the top 10, adding another $2.6 million and passing $25 million so far. Fox Searchlight's "The Way, Way Back" is still on 550 theaters in its tenth week, and managed to get past the $20 million and possibly soon second best for the year.

Not as wide yet, but showing the benefits of a slower rollout to build word of mouth and to cross over to a younger audience is A24's "The Spectacular Now," which grossed $750,000 in 415 (+30), with significantly only a 33% drop in gross. This is now up to $4.8 million, with a good deal more ahead. Weinstein's third week for "The Grandmaster," which its very unusual wide early break for a subtitled film, took in $1,038,000 in 804 theaters (+55), but fell 58% from last weekend. It now is at just under $5 million.

The narrower "In a World" (Roadside Attractions) is steadily adding to its decent showing so far, adding another $315,000 in 102 (+11), very impressively only down 5% from last weekend, now up to $1.7 million. SPC's "Austenland" continues to perform better than its initial openings suggested, with $196,000 in 58 theaters (+6), with only a minor drop in PSA as it hits $760,000 so far.

Cinedigm's "Short Term 12" still is showing only modest reaction, $104,000 in 26 theaters (+10) in its third week, with an unexciting (for this few theaters) PSA of only $4,000. The Film Arcade's "Afternoon Delight" in its second week added 23 theaters to get to 25, but only did slightly better as half as well with a $60,000 gross.




This article is related to: Salinger, Blue Jasmine, Box Office, Weinstein Co., Adore, Populaire, The Way, Way Back, The Spectacular Now , The Grandmaster, In A World..., Box Office, Box Office, Box Office


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.