In this case, Rudin and Paramount have optioned "Annihilation," the yet unpublished first novel in a planned "Southern Reach" trilogy by Jeff VanderMeer. Deadline reports that the deal is "sizable," and that Rudin and Eli Bush are on board as producers. "Annihilation" centers on a biologist who, still reeling from her husband's sudden disappearance, volunteers for an expedition in a region sealed off for decades as an environmental disaster zone. And there be a dangerous creature in them thar hills. (They must hope that the film will do better than the horrific B-movie "Chernobyl Diaries.") VanderMeer is best known for fantasy collection "City of Saints and Madmen" and 2009 novel "Finch."
As wildfires, melting polar glaciers, rising ocean levels, and powerful hurricanes threaten us all, Dystopian Cinema continues to flourish. A Dystopian world is the opposite of a Utopian one, basically: they're usually miserable, poverty-stricken, and dehumanizing. If we're not scared yet, we should be. Filmmakers have been imagining the end of the world and what life would be like for its survivors since William Cameron Menzies' 1936 H.G. Wells adaptation "Things to Come." The nuclear age brought 1959's "On the Beach," followed decades later by George Miller's 1979 "Mad Max" and its sequels, Ridley Scott's 1982 "Blade Runner" and Will Smith in Richard Matheson's "I Am Legend" (2007).
Some of these movies are hits (Roland Emmerich's "The Day After Tomorrow" and "2012," Pixar's "Wall E"), and some are too grim, brainy or familiar for wide audience appeal (the Hughes brothers' "Book of Eli," Cormac McCarthy's "The Road," Shane Acker's "9," McG's "Terminator Salvation," Alex Proyas's "Knowing"). Alfonso Cuaron's "Children of Men" won our fave dystopian flick poll a while back.