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Boston's Best Dennis Lehane Adapts Beach-Bum ... -
Cannes Fest Diary: Le Weekend, from Compelling ... -
Interview: Brit Marling Writes and Toplines ... -
Review: Rama Burshtein's Luminous 'Fill the ... -
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Cannes Review: James Franco's 'As I Lay ... -
Cannes Film Fest Diary 3: Seduced by 'The ... -
Three Weddings Before a Bunch of Funerals: ... -
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Cannes First Look: Paul Haggis Talks 'Third ...
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Cannes Review: 'Inside Llewyn Davis' Is Vintage ... -
Arthouse Audit: 'Frances Ha' Debuts Strong ... -
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ACLU to 'Modern Family': Let Cam and Mitch ... -
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Cannes Fest Diary 2: Dull Coppola, Brilliant ...
Cannes Interview: David Lowery Talks 'Ain't ...
Talking 'Star Trek Into Darkness' VFX
Weinstein Co. Green Lights 'Crouching Tiger ...
Cannes Exclusive! Jim Mickle Talks Smart ...
Cannes Review: Coppola's 'The Bling Ring ...
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How 'Iron Man 3' and 'Django Unchained' Played ...
Bradley Cooper Is New Model Smart Star
Q & A: How Willimon Runs Fincher's 'House ...SDCC Interview: Cameron Talks Avatar
Here's my Comic-Con interview with James Cameron about how his undersea expeditions informed his return to moviemaking, Avatar. He digs into how he perfected the art of performance capture to allow the warmth of his actors to come through. He wants to do some consciousness-raising with SAG on what performance capture really involves. During Friday's panel with Cameron and Peter Jackson, the two men discussed how resistant actors have been to such acting as Andy Serkis as Gollum.
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