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Tale of Two First-Time Directors: 'People Like Us' and 'Seeking a Friend for the End of the World' Debut at LAFF

Reviews
by Anne Thompson
June 18, 2012 4:25 PM
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Keira Knightley has never been worse, and she's a strong actress. Steve Carell, as good as he can be, is also lost and stuck with repetitive dewy reaction close-ups. So many things are wrong, from the wildly careening tone to set and costume choices and music cues. It's easy to see how the strong script with a potentially commercial premise--how humans behave when a large object is about to crash into our planet, setting it on fire?--could get the green light. But this movie is also going to get trashed.

Here's a round-up of early LAFF reviews.

TOH's Sophia Savage:

The high point of Lorene Scafaria's "Seeking a Friend for the End of the World" is when someone shouts that they want to do heroin to Radiohead, because why not? The world is ending. The apocalyptic romantic comedy is a tonal misfire, with tired pacing and redundant close-ups. Keira Knightley continues her over-acting streak, while Steve Carell plays his pathetic insurance salesman with the same likeability that infuses all his work. The actual apocalypse is secondary and mostly unseen, while the relationship between their Penny and Dodge characters casually develops as they accept the end as nigh. Its premise sets the movie up to go in a countless number of directions, and sadly it chooses the dullest, most cliched.

THR:

"Essentially, Scafaria has re-imagined Lars Von Trier's planet-smashing gloomfest Melancholia as a quirky road movie in the spirit of Alexander Payne's About Schmidt,..[Scafaria's] directing debut is a superior effort, its slightly uneven tone redeemed by the reliably sympathetic Carell in a typically deadpan suburban everyman role,..Scafaria maintains a cheerfully ironic and unpredictable tone for the first half of the movie, scoffing at vanity and self-delusion with sharply observed social observation,.. [It] leaves us with a disappointingly banal observation: all you need is love. It is hard to imagine either Alexander Payne or Lars Von Trier letting such fortune-cookie whimsy sweeten life's harsh lessons."

What Culture:

"A sweet, inoffensive but ultimately awkward film with unmet aspirations of indie darling-hood. It’s a film that touches on a number of potentially interesting themes about its doomsday setting, but that never focuses convincingly in on any, and certainly never reaches a satisfying rhythm. The problem here is quite simple: this end of the world drama – come comedy – come rom-com, lacks a clear intention, it decides it actually wants to be a romantic comedy too late toward the end of the second act and suffers deeply as a result of it’s indecision,..These scenes are a nice reprieve, but eventually get discarded to give way to a bland and forgettable romantic comedy that doesn’t take full advantage of it’s doomsday context. Once it finally decides to go somewhere, it’s unfortunately nowhere special."

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