At the beginning of Zouhali-Worrall and Wright's time filming in Kampala, Uganda, the anti-gay Member of Parliament David Bahati told the filmmakers, "There is no longer a debate in Uganda as to whether homosexuality is right or not. It is not." Initially, the two women were inclined to believe him. But when they met Kato, who began introducing them to other members of the kuchu community, they realized that this playful and passionate man was the lynchpin to a major shift taking place in Ugandan society.
In Kato's image, perhaps, "Call Me Kuchu" is not simply a tale of victimization, although the film does much to present the appalling state of LGBT rights in Uganda. In late 2009, for example, Bahati introduced a stunningly draconian Anti-Homosexuality Bill that would have made homosexuality a capital offense and threatened jail time for those who neglected to turn in LGBT people to the authorities. The true focus of "Call Me Kuchu," however, is on Kato and his fellow activists, and the daunting work they undertook to advocate for their own rights.
In early 2011, Kato was attacked and murdered in his home. Anti-gay protesters descended on the activist's funeral, heckling and threatening his contemporaries. At the end of "Call Me Kuchu," when a fellow activist learns that he is the next target, he shows little fear and begins to pack up his apartment to move to a new neighborhood. "Call Me Kuchu" is at its heart a tale of defiance, a story of a small and vibrant community proudly proclaiming its own vitality.
"They keep saying we are not here," Kato tells the film's directors before his death. "But as of late, we are here."
"The New Black" screened earlier this month in Los Angeles and last week in New York. "Call Me Kuchu" played last week at New York's Quad Theater, and is currently playing at the Laemmle Music Hall in L.A.