Think for starters of Brit Shirley Bassey's classic "Goldfinger" and "Diamonds Are Forever," Paul McCartney and Wings' "Live and Let Die" or Marvin Hamlisch and Carly Simon's "Nobody Does It Better" for "The Spy Who Loved Me."
Mendes was lucky to nab Adele, today's reigning global pop diva, whose soulful belting also links to the past. In a recent interview with TOH!, the director describes how Adele came on board. She was initially hesitant because she wasn't sure if her trademark personal lyrics would vibe with a Bond theme. Mendes told her, "Just write a personal song. Nobody does it better. Just think in those terms." He then told her the story of "Skyfall," so that she'd have narrative reference points.
Adele took the script home with her and couldn't put it down -- she even read it while in the bath. Two months later she sent a music file to Mendes, who says he listened to the track on repeat for hours while driving through the countryside en route from a filming location. He then played it for producer Barbara Brocolli and Daniel Craig, "who both shed a tear, because it's the first good Bond song."
When the song "Skyfall" debuted on October 5, it immediately soared to the top of the iTunes charts. A week later, the song had rocketed from the Hot 100 on Billboard charts to the Top 10. Sitting at No. 8 and then moving up to No. 3, it wasn't even the reigning champ, but it is Adele's biggest debut to date. The November 9 opening of the film gave it another boost, kicking it up from spot 56 to 33, and placing it in the Hot Digital Songs Top 10 (with 91,000 downloads sold, as of November 16).
The memborable opening credits sequence accompanying the song was created by title designer Daniel Kleinman, who discusses the difficulties of the length of the sequence, paying homage to original Bond title designer Maurice Binder without making the graphics look like "knockoffs," and melding underwater photography with CG, here.