Click to Skip Ad
Closing in...
Specialty Box Office: 'Kurt Cobain: Montage of Heck' Primes HBO Pump, Russell Crowe's 'Water Diviner' Is Spotty Specialty Box Office: 'Kurt Cobain: Montage of Heck' Primes HBO Pump, Russell Crowe's 'Water Diviner' Is Spotty Friday Box Office: 'Adaline' Bumps 'Furious' for a Day; 'Kurt Cobain' Big in 3 Theaters Friday Box Office: 'Adaline' Bumps 'Furious' for a Day; 'Kurt Cobain' Big in 3 Theaters Remembering Film Critic Richard Corliss (1944-2015) Remembering Film Critic Richard Corliss (1944-2015) Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent" Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent" How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) CinemaCon: How Tom Cruise Stole the Paramount Show CinemaCon: How Tom Cruise Stole the Paramount Show Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) 3 Women Genre Directors Get SF Film Society Fellowships 3 Women Genre Directors Get SF Film Society Fellowships Here's Why Jon Stewart Quit 'The Daily Show' Here's Why Jon Stewart Quit 'The Daily Show' Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences 10 Films Booed at Cannes That Every Cinephile Should See 10 Films Booed at Cannes That Every Cinephile Should See 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO) 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO)

Behind the Scenes of Russia's Oscar Entry 'Stalingrad,' Plus Early Reviews (TRAILER)

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood November 11, 2013 at 11:37AM

While Russia and Hollywood both want a piece of the other's box office pie, they are more likely to come out ahead by working together on big commercial projects than emerging indie pictures. One good example is rising actor-director Fedor Bondarchuk's $30 million "Stalingrad," which is Russia's official Oscar entry this year, and the country's first film produced entirely in 3-D.
0
'Staliingrad'
'Staliingrad'

The Hollywood Reporter:

Fedor Bondachuk is hardly the first director to bring the legendary battle of Stalingrad to the screen, one of the bloodiest confrontations in World War II and a turning point in the war. Stalingrad 3D is, however, the most ambitious production to tackle the subject. The first Russian film to be entirely shot in 3D and released in the 3D IMAX format, it is a strange cross-breed between an old-fashioned WW2 epic full of genre clichés and a modern update whose meticulous historical recreation is frighteningly real.

Screen International:

At least the characters in this patriotic love-in are mostly believable, and the script does a decent job of getting us from one incendiary battle scene to the next by focusing on the human costs of war in a densely populated city. It’s a commercially clever product too, which with its video-game nods, careful avoidance of a black-and-white, goodies and baddies approach to the battle, pick n’ mix referencing of other genres from horror to kung fu to Western, and worthy modern-day Tohoku earthquake narrative frame, has been crafted to appeal to audiences outside Russia.

This article is related to: Reviews, Reviews, Trailers, Trailers, Stalingrad


E-Mail Updates