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Stanley Kubrick Retrospective and Exhibition Comes to LA; Vote in Our Kubrick Poll

Thompson on Hollywood By Anne Thompson and Sophia Savage | Thompson on Hollywood August 16, 2012 at 3:37PM

LACMA and The Academy will co-present the first US retrospective exhibition of Stanley Kubrick. The retrospective, which launched in Frankfurt and has toured Berlin, Melbourne, Ghent, Zurich, Rome, Paris, and Amsterdam, was developed in collaboration with the Kubrick Estate and the Deutsches Filmmuseum, Frankfurt, but will be designed specifically for LACMA by film production designer Patti Podesta.
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The Shining
Kubrick's 'The Shining'

LACMA and The Academy will co-present the first US retrospective exhibition of Stanley Kubrick. The retrospective, which launched in Frankfurt and has toured Berlin, Melbourne, Ghent, Zurich, Rome, Paris, and Amsterdam, was developed in collaboration with the Kubrick Estate and the Deutsches Filmmuseum, Frankfurt, but will be designed specifically for LACMA by film production designer Patti Podesta. The exhibition provides access and insight into the filmmaker's vision and methods that led to his universally adored masterpieces, from "Full Metal Jacket," "Lolita" and "Dr. Strangelove" to "2001: A Space Odyssey," "A Clockwork Orange" and "The Shining." LACMA board member Terry Semel worked closely with Kubrick on many of these films when he was running Warner Bros. Pictures (one little known fact: Kubrick spawned the modern box office report.)

The film retrospective kicks off on November 7 with "An Academy Salute to Stanley Kubrick,” hosted by actor Malcolm McDowell and featuring many Kubrick colleages and collaborators. LACMA's exhibition and the Bing Theater film retrospective will follow.

Stanley Kubrick
Dmitri Kasterine Stanley Kubrick

Folks continue to be excited by Kubrick. Steven Spielberg took over "A.I." Artificial Intelligence" after the filmmaker's death in 1999; he rewrote one of the scripts based on the Brian Aldiss story. Kubrick's iconic "2001: A Space Odyssey" is Number 6 on the latest Sight & Sound Top 50, and influenced more films than its most recent obvious descendant, Ridley Scott's "Prometheus," which features a HAL-like sentient robot. "Room 237," a doc laying out many theories behind the meaning of "The Shining," has been building buzz since its January Sundance debut; IFC Midnight has booked it into Fantastic Fest. At least three unmade Kubrick films are in active development. Here's a story about how the photograph at right came to be.

Kubrick is on my top ten directors of all time list (along with John Ford, Akira Kurosawa, Buster Keaton, Howard Hawks, Orson Welles, Alfred Hitchcock, Billy Wilder, Jean Renoir, and David Lean.) I placed "A Clockwork Orange" at number 10 on my Sight & Sound ballot after seeing it again on Blu-ray; before that I would have chosen "2001." What are your fave Kubrick films? See our poll and my ranking on the jump.

LACMA's Michael Govan states:

"By featuring this legendary filmmaker and his oeuvre in his first retrospective within the context of an art museum, Stanley Kubrick will reevaluate how we define the artist in the twenty-first century, and simultaneously expand upon LACMA’s commitment to exploring the intersection of art and film. We are also pleased to honor Kubrick’s impact on film and art history at our 2012 Art + Film Gala, along with artist Ed Ruscha, on October 27.”

Academy CEO Dawn Hudson adds that the collaboration is “a taste of things to come when we open the Academy Museum of Motion Pictures in the historic Wilshire May Company building on the LACMA campus.”

The Los Angeles presentation of the retrospective is funded by Steve Tisch.

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This article is related to: Stanley Kubrick, Academy of Motion Pictures Arts and Sciences, News, Los Angeles


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.