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Starz Denver Film Fest Announces Award Winners: Oscar-Entry 'Sister,' 'The Sapphires' & 'Rising from Ashes'

Photo of Beth Hanna By Beth Hanna | Thompson on Hollywood November 15, 2012 at 1:45PM

The 35th Starz Denver Film Festival, which ran November 1-11, announces its jury and audience award winners. Ursula Meier's brilliant Swiss Oscar entry, "Sister," Australia's "The Sapphires," following the formation of an Aboriginal girl-band in the 1960s,..
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Sister
'Sister'

The 35th Starz Denver Film Festival, which ran November 1-11, announces its jury and audience award winners. Ursula Meier's brilliant Swiss Oscar entry, "Sister," Australia's "The Sapphires," following the formation of an Aboriginal girl-band in the 1960s, and "Rising from Ashes," a documentary about Rwandan cyclists, all won top prizes. The complete list of winners is below.

STARZ PEOPLE'S CHOICE AWARDS

Narative Feature:

The Sapphires, directed by Wayne Blair

A pre-credits prologue sets the scene in 1960s Australia, where indigenous people-still called Aborigines-suffer abuse, persecution, and racial prejudice. Enter two sisters on their way to a small-town singing contest that they should win ably, but don't. Social upheaval is sweeping the planet, and the young women, inspired by the U.S. civil rights movement, believe things can change for them.

Documentary Feature:

Rising from Ashes, directed by T.C. Johnstone

Rising from Ashes tells the moving story of a team of passionate Rwandan cyclists who survived their country's genocide, and of cycling legend Jock Boyer, who became their coach.

Short Film:

ASAD, directed by Bryan Buckley

A young Somali boy wrestles with the attraction of his village's ocean-bound pirates against the needs of his family and war-torn community.  

JURIED AWARDS

The Krzysztof Kieslowski Award for Best Foreign Feature Film

Winner: Sister, directed by Ursela Meier

Growing up in the shadow of the Jura Mountains in Switzerland, where skiing was a normal part of daily living for the middle and upper classes, the story pits Simon, a 12-year-old from the industrial valley below, against the wealthy culture of the ski resort at the top of the mountain.

In bestowing Ursula Meierwith the Krzysztof Kieslowski Award for Best Feature Film Award, the Jury stated: "A well crafted narrative that explores the highs and lows of a complicated familial relationship with authentic performances, supported by grand cinematography, pulls you into the unfamiliar world of a childhood thief whose only constant is the love shared between him and his "sister".

The jury was comprised of Whitney Kimmel - Film Publicist, IDPR; Adam Roffman - Program Director, Independent Film Festival Boston; and Irena Kovarova - Programmer, Czech Film Center.

The Maysles Brothers Award for Best Documentary Film

Winner: Gregory Crewdson: Brief Encounters, directed by Ben Shapiro

Photographer Gregory Crewdson's artwork has been called daring, complex, inventive, and rare. The Museum of Modern Art, the Whitney Museum, and the Metropolitan Museum of Art collect his stunning images. Yet his creative process remained a mystery until he agreed to allow director Ben Shapiro to film him on location. For a decade, Shapiro followed Crewdson through the small towns of Massachusetts, capturing both the lighthearted and darker sides of this creative genius.

In bestowing Ben Shapiro with the Maysles Brothers Award for Best Documentary Film, the jury stated: "A film that at first seems like a simple portrait of an artist, but actually touches on deep and complex issues facing suburban America today through provocative photographs."

The jury was comprised of Danielle Renfrew Behrens - producer (Double Dare, Queen of Versailles); Paula DuPre Pesman - producer (The Cove, Chasing Ice); Mitch Dickman - director/producer (DNC Mediamockracy, Hanna Ranch).

The New Directors Award

Winner: Pincus directed by David Fenster

After becoming sole caretaker for his Parkinson's-patient dad, slacker Pincus learns some life lessons despite himself. With a cast of mostly family and friends-including Fenster's dad-Pincus is part fiction, part documentary and wholly authentic.

In bestowing David Fenster with the New Directors Award, the jury stated: "For its artful mix of fictional and documentary elements, its unsentimental depiction of terminal illness and thirtysomething underachievement, and its playfully deadpan look at alternative medicine and the quest for human connection, the New Directors Award goes to David Fenster's Pincus."

The jury was comprised of James Francis Flynn - Actor/Producer (Miss Ohio); Rob Nelson - Film Critic; Paul Zimmerman - Film Critic/Author (Virgin Noir).

The Spike Lee Student Filmmaker Award

Winner: Crossing directed by Gina Atwater

In 1960s Georgia, a black teenager defies the rules of segregation and his conservative father when he walks through the front door of his white employer's home.

In bestowing Gina Atwater with the Spike Lee Student Filmmaker Award, the jury stated: "For it's subtle, yet powerful, story of racial injustice and overall excellence in all aspects of its filmmaking, the jury awards The Spike Lee Student Filmmaker Award goes to Crossing, written and directed by Gina Atwater"

The jury also stated: "For his dynamic portrayal of a troubled Hasidic youth searching for his own identity in the film Where is Joel Baum, the jury would like to give a special prize for acting to Luzer Twersky."

The jury was comprised of Jenny Chikes - Producer (The Foot Fist Way, Dead Man's Burden); Tim Harms - Producer (The Vicious Kind, Sexting, BFF); Garret Savage - Editor (Ready, Set, Bag!, My Perestroika) / Director (various shorts).

This article is related to: Festivals, Starz Denver Film Festival, Sister (L'enfant d'en haut), The Sapphires


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.