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Studios Report Actual Monday Numbers Due to Colorado Shootings; 'Dark Knight Rises' Pulls Undeterred Moviegoers UPDATED FULL REPORT AND CHART

Thompson on Hollywood By Brian Fuson | Thompson on Hollywood July 23, 2012 at 4:39PM

In the face of tragedy and fear resulting from a deranged psychotic murderer in Colorado, moviegoers in North America were undeterred as they showed up en masse to see Warner Bros.’ “The Dark Knight Rises” this past weekend.
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Dark Knight Rises 2

In the face of tragedy and fear resulting from a deranged psychotic murderer in Colorado, moviegoers in North America were undeterred as they showed up en masse to see Warner Bros.’ “The Dark Knight Rises” this past weekend.

The third installment of the Christopher Nolan trilogy garnered a sterling $160.9 million on its debut weekend, marking the third biggest opening in box office history after Disney’s “The Avengers” which tallied a stunning $207.4 million two months ago and another Warner Bros. title, “Harry Potter and the Deathly Hallows Part 2” with $169.2 million. The previous Batman film, “The Dark Knight,” opened with $158.4 million during the summer of 2008 and now owns the fourth biggest opening ever.

With a reported international cume of $88 million, “Dark Knight Rises” has a worldwide gross of $248.9 million through Sunday.

Looking at the business side, undoubtedly we will never be able to quantify the impact the tragedy in Colorado had on the box office and what could have been, but suffice it to say that it did have an effect and left a scar on the psyches of audiences worldwide. As a result of the events on Friday night, security was increased at many theaters across the country, with police patrolling locations in major metropolitan areas including Los Angeles and New York.

During the weekend Warner Bros. released this statement: “Out of respect for the victims and their families, Warner Bros. Pictures will not be estimating the box office for this weekend.  Warner Bros. box office numbers will be released on Monday.” Shortly after that all the other major studios followed suit and joined Warner Bros. in not releasing numbers until Monday, as did the box office reporting agency Rentrak, hence the lateness of this report (see Top Ten Chart below).

The tragedy in Colorado may have marred the business landscape and dampened the mood of moviegoers and the public alike, but it didn’t stop them from keeping the turnstiles spinning. The overall box office in North America was up from the comparable frame last year, and the week to week drops were neither out of character nor excessive; hence the robust results at the box office as a whole.

As the news spread about the terrible events at the one midnight screening, across the media spectrum companies and networks pulled or changed some of the advertising that was set for “Dark Knight Rises” during the weekend, modifying the wording and pulling some of the more violent scenes/trailers or advertisements.

Christian Bale, Anne Hathaway, Gary Oldman, Morgan Freeman and Joseph Gordon-Levitt star in “Dark Knight Rises,” which had 3,825 midnight shows and racked up an impressive $30.64 million – topping the $18.7 million of “The Avengers” and marking the second highest gross from midnight shows on a film debut.

This article is related to: Box Office, Box Office, Box Office, The Dark Knight Rises, Warner Bros. Pictures


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.