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Sundance Awards: Both Ryan Coogler Drama 'Fruitvale,' Doc 'Blood Brother' Nab Grand Jury and Audience Awards UPDATED

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood January 27, 2013 at 1:43PM

At the Sundance Film Festival Awards ceremony on Saturday, director John Cooper broke down in tears. Why? Because it was such a damned fine festival, where so many filmmakers were discovered and lauded. We are in a sweet zone for indie cinema, and Sundance helped to make that so.
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The Summit

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The Summit

  • The Summit

    'The Summit'

Grand Jury Prize, Dramatic:
"Fruitvale," directed by Ryan Coogler

Grand Jury Prize, Documentary:
"Blood Brother," directed by Steve Hoover

World Cinema Jury Prize, Dramatic:
"Jiseul," directed by Muel O

World Cinema Jury Prize, Documentary:
"A River Changes Course," directed Kalyanee Mam

Dramatic Audience Award:
"Fruitvale," directed by Ryan Coogler

Documentary Audience Award:
"Blood Brother," directed by Steve Hoover

World Cinema Dramatic Audience Award:
"Metro Manila," directed by Sean Ellis

World Cinema Documentary Audience Award:
"The Square," directed by Jehane Noujaim

The Best of NEXT Audience Award:
"This Is Martin Bonner," directed by Chad Hartigan

Directing Award, Dramatic:
Jill Solloway, "Afternoon Delight"

Directing Award, Documentary:
Zachary Heinzerling, "Cutie and the Boxer"

World Cinema Directing Award, Dramatic:
Sebastián Silva, "Crystal Fairy"

World Cinema Directing Award, Documentary:
Tinatin Gurchiani, "The Machine Which Makes Everything Disappear"

Waldo Scott Screenwriting Award:
Lake Bell, "In a World"

World Cinema Screenwriting Award:
Barmak Akram, "Wajma (An Afghan Love Story)"

Documentary Editing Award:
Matthew Hamachek, "Gideon's Army"

World Cinema Documentary Editing Award:
Ben Stark, "The Summit"

Excellence in Cinematography Award, Dramatic:
Bradford Young, "Ain't Them Bodies Saints" and "Mother of George"

Excellence in Cinematography Award, Documentary:
Richard Rowley, "Dirty Wars"

World Cinema Cinematography Award, Dramatic:
Michal Englert, "Lasting"

World Cinema Cinematography Award, Documentary:
Marc Silver & Pau Esteve Birba, "Who Is Dayani Cristal?"

Special Jury Prize: Dramatic (Acting):
Miles Teller & Shailene Woodley, "The Spectacular Now"

Special Jury Prize: Dramatic (For Sound Design)
Shane Carruth & Johnny Marshal, "Upstream Color"

Special Jury Prizes: Documentary:
"Inequality For All," directed by Jacob Kornbluth
"American Promise" directed by Joe Brewster & Michèle Stephenson

World Cinema Special Jury Prize: Documentary
"Pussy Riot: A Punk Prayer," directed by Mike Lerner & Maxim Pozdorovkin

World Cinema Special Jury Prize: Dramatic
"Circus" directed by Srdan Golubovic

Alfred P. Sloan Prize
"Computer Chess," directed by Andrew Bujalsi

The Short Film Audience Award
"Catnip: Egress to Oblivion," directed by Jason Willis

The Short Film Grand Jury Prize:
"The Whistle," directed by Grzegorz Zariczny

The Short Film Jury Award: U.S. Fiction:
"Whiplash," directed by Damien Chazelle

The Short Film Jury Award: International Fiction:
"The Date," directed by Jenni Toivoniemi

The Short Film Jury Award: Non-fiction:
"Skinningrove," directed by Michael Almereyda

The Short Film Jury Award: Animation:
"Irish Folk Furniture," directed by Tony Donoghue

A Short Film Special Jury Award for Acting:
Joel Naglein in "Palimpsest"

A Short Film Special Jury Award:
"Until the Quiet Comes," directed by Kahlil Joseph

This article is related to: Sundance Film Festival, Festivals, Festivals


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.