This whip-smart writer-director-actress effortlessly carries this story of a conflicted young writer who is unsure of whether to go forward with marrying the man she loves, a Muslim New York professor (Alexander Siddig). Ahead of the wedding, she stays with her Christian mother (Hiam Abbas) in Amman, Jordan, along with her two fractious younger sisters. May jogs along the road, jeered at by cars full of men; family relationships get more and more challenging as she and her sisters reconnect with their estranged father, an American diplomat (Bill Pullman) who has remarried a younger woman.
Dabis shows how difficult it is to be part of a cross-cultural couple, no matter how old you are. The movie is gorgeously shot and framed, with several haunting set-pieces: the three girls swimming in the Dead Sea with Palestine across the water, which is seeded with mines; the sisters talking to each other against a moonlit window; May sleeping under the stars in the desert, which is also stunning in the morning; and a group of people hanging by a poolside hotel who freeze in their tracks when a deafening fighter jet roars overhead. Dabis has chops. Judging from the early reviews below, this film will play best for specialty audiences, especially women.
Dabis talked at a Columbia University panel last year about how tough it was to mount this film without compromising. She asked, "do you kill your film to get it made?" She raised Sundance lab film "Amreeka"'s micro-budget from various foundations as well as the Middle Eastern community. The film played the director's fortnight at Cannes and won the FIPRESCI prize.
Dabis has worked as a staff writer on "The L Word." "The second movie is a bitch," she said at the panel. She wasn't expecting to have to go through the same trouble all over again raising financing. "I have to accept that it's never going to be easy, it is what it is, and keep going." She got it done.
Here's a Sundance opening night review round-up: