Click to Skip Ad
Closing in...

Blogroll

Thompson on Hollywood

Sandra Bullock Talks Blind Side, Oscars, Career Choices

After the Oscar nominees' lunch at the Beverly Hilton, I went down by the pool to interview The Blind Side best actress nominee Sandra Bullock with my flip cam. She didn't know at the start of her career, she said, that "being funny was going to be my greatest joy." She learned as she went along that comedy parts for men were better written than the ones for women, so she'd transcribe Jerry Lewis and Carol Burnett skits and perform them in front of her own home video camera. If you want women to come to box office, she warns, you have to make the movies good. "We're not going to the movie on the first weekend if they're crap," she says. "That's the difference between men and women."
  • By Anne Thompson
  • |
  • February 16, 2010 5:21 AM
  • |
  • 0 Comments

Things I Learned at the Oscar Nominee Mixer

Things I Learned at the Oscar Nominee Mixer
I pulled into the Beverly Hilton for the annual Academy Nominees lunch alongside Quentin Tarantino (pictured with Academy president Tom Sherak). At the press table, an Academy staffer asked me turn the handle to spit out a ball telling me where I'd be sitting.
  • By Anne Thompson
  • |
  • February 16, 2010 3:13 AM
  • |
  • 5 Comments

Editors Guild Awards Up, The Hangover, The Hurt Locker, The Cove

Up, The Hurt Locker and The Cove just keep on winning. Sunday night they won Eddies from the Editors Guild for best animated feature (Kevin Nolting), best feature film drama (Bob Murawski & Chris Innis) and best documentary (Geoffrey Richman), respectively. The Hangover won best feature comedy or musical (Debra Neil-Fisher). The Hurt Locker beat Avatar again, as it did with the Producers and Directors, but lost the Screen Actors Guild ensemble to Inglourious Basterds.
  • By Anne Thompson
  • |
  • February 15, 2010 5:41 AM
  • |
  • 0 Comments
More: Awards, Oscars

Art Directors Go with Avatar, Hurt Locker, Sherlock Holmes, Beatty

One thing I love about this year's Oscar race is the way lower-budget movies like The Hurt Locker hold their own against the big-budget behemoths. At the crystal-themed Art Director's Guild awards on Saturday night at the Beverly Hilton, The Hurt Locker director Kathryn Bigelow, taller than ever in high high heels, presented the period film award to Sherlock Holmes, which beat out best-picture Oscar nominee Inglourious Basterds.
  • By Anne Thompson
  • |
  • February 14, 2010 10:19 AM
  • |
  • 0 Comments

Screenwriters Talk Up, The Hurt Locker, Precious, Up in the Air, Star Trek

Screenwriters Talk Up, The Hurt Locker, Precious, Up in the Air, Star Trek
Every writer on this year's annual Santa Barbara Film Festival "It Starts with a Script" panel wrote a screenplay that was personal, on some level--even Up writer-director Pete Docter and Star Trek's Alex Kurtzman. And they all mixed up their genres, too.
  • By Anne Thompson
  • |
  • February 14, 2010 6:42 AM
  • |
  • 2 Comments

Oscar Talk Episode 21: On the Campaign Trail

Oscar Talk Episode 21:  On the Campaign Trail
This week Kris Tapley and I cover Oscar activity at the Santa Barbara Film Festival and in town, and keep debating the best actress, actor, picture and director race. Does Up in the Air or Inglourious Basterds have a fighting chance?
  • By Anne Thompson
  • |
  • February 12, 2010 10:29 AM
  • |
  • 1 Comment

Oscar Phase Two: Bullock vs. Streep, Renner vs. Bridges, Cameron vs. Bigelow

Oscar Phase Two: Bullock vs. Streep, Renner vs. Bridges, Cameron vs. Bigelow
Nothing is certain until it's over. And that's especially true for the Oscar race.
  • By Anne Thompson
  • |
  • February 9, 2010 11:16 AM
  • |
  • 3 Comments

Santa Barbara Film Fest Panels, Up in the Air Wins Scripter Award

Sometimes I find myself covering so many things that I don't write about them right away. A case in point: my weekend trip to Santa Barbara. I'm still writing up the Sandra Bullock tribute and haven't transcribed my writers panel, which went well even without Quentin Tarantino, who did turn up the following day for Peter Bart's director's panel (clips below).
  • By Anne Thompson
  • |
  • February 9, 2010 2:14 AM
  • |
  • 0 Comments

Oscar Duel: Has Quentin Tarantino Produced a Legacy of Greatness?

Oscar Duel: Has Quentin Tarantino Produced a Legacy of Greatness?
During a public appearance in London last month, Quentin Tarantino told the audience that with Inglourious Basterds, he is now an auteur; he has established a body of work that can be analyzed as a whole and as a product of his unique vision. Recalling his experiences watching the films of Howard Hawks, he said: "My aim is that some kid in 50 years time has the same experience with me and my films." In this dueling blog, Moviefone's Jack Mathews and I debate whether QT's films actually form a body of work or remain a work in progress. 


  • By Anne Thompson
  • |
  • February 8, 2010 7:20 AM
  • |
  • 18 Comments

Oscar Watch: Tomm Moore Talks The Secret of Kells

Oscar Watch: Tomm Moore Talks The Secret of Kells
It was a ten-year journey for animator Tomm Moore, who was as shocked as anyone when, after submitting his first feature The Secret of Kells at the last possible minute, the 95% hand-drawn film earned an Annie nomination (the only indie film to do so) followed by an Oscar nomination for best animated feature (beating out movies from Disney, Fox, Sony and DreamWorks).
  • By Anne Thompson
  • |
  • February 8, 2010 4:28 AM
  • |
  • 1 Comment

Email Updates