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Thompson on Hollywood

No Country for Old Men: That Pesky Ending

I'm having big debates about No Country for Old Men, especially the ending. If you've read the Cormac McCarthy book, you know that the Coens have done a very faithful adaptation, which McCarthy admires. [SPOILER ALERT] The duo was attracted to the very things that make the movie unconventional: a major character dies, and the forces of good don't triumph over the forces of evil at the end.
  • By Anne Thompson
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  • November 27, 2007 6:52 AM
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Oscar Watch: Seeking Consensus

While I admire Kris Tapley's attempt to make some sense out of the blizzard of Oscar predictions out there, I remain convinced that until the prognosticators see Charlie Wilson's War and Sweeney Todd, the two films that many of us got invited to see Monday, none of these lists make much sense. Richard Corliss in Time suggests that "audiences will have a great time watching" Charlie Wilson's War, which seemed to play for Oprah Winfrey's Chicago audience. Oprah raved about Philip Seymour Hoffman's performance, as guests Tom Hanks and Julia Roberts (who tried to get out of shooting a bikini scene while four weeks pregnant) nodded politely. My hunch is that Hoffman won't get nommed for best actor for The Savages or Before the Devil Knows You're Dead, but will get a supporting nom for Charlie Wilson's War.
  • By Anne Thompson
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  • November 20, 2007 7:13 AM
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LAFF: Bloggers Poolside Chat

I had fun moderating the blogging panel poolside at the W. From right, Sasha Stone of Awards Daily, Kate Coe of Fishbowl LA, Jeff Wells of Hollywood Elsewhere and I all agreed that we are obsessed; speed is of the essence, although, Stone said, one can always throw something up fast and tweak it later.
  • By Anne Thompson
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  • June 29, 2007 6:21 AM
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  • 0 Comments

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