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Thompson on Hollywood

Cannes Announces 2014 Festival Dates

The 67th edition of the Cannes Film Festival has set its dates for May 14-25, 2014.
  • By Beth Hanna
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  • October 1, 2013 1:15 PM
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Jim Mickle Talks Smart Horror Remake 'We Are What We Are'

Just three years after Jorge Michel Grau's 2010 Mexican film "We Are What We Are" played at the Cannes Festival market (see clip and original Mexican trailer below), Jim Mickle's American remake, which debuted well at Sundance, played in the festival proper in the Director's Fortnight, which sometimes welcomes smart well-made horror films such as this one. EOne opens the elegantly shot, well-acted film--which deals with a small town religious family maintaining their long tradition of ritual cannibalism-- September 27.
  • By Anne Thompson
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  • September 27, 2013 11:59 AM
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Zhang Ziyi In Talks for 'Crouching Tiger, Hidden Dragon' Sequel, Legendary Fight Choreographer Yuen Woo Ping to Direct UPDATED

UPDATE: Zhang Ziyi ("The Grandmaster") is in talks to return as her character Jen Yu in flashback sequences for "Crouching Tiger, Hidden Dragon -- The Green Destiny," reports Entertainment Weekly. The Weinstein Co. is developing the sequel, which is penned by John Fusco ("Hidalgo"). Action star Michelle Yeoh is also on board, returning as Yu Shu Lien, with Donnie Yen set to play Silent Wolf. Legendary martial arts choreographer Yuen Woo Ping (whose choreography is on ravishing display in Wong Kar Wai's "The Grandmaster") will helm the film.
  • By Anne Thompson
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  • August 21, 2013 12:38 PM
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Interview: Ryan Coogler Talks Honoring Oscar Grant, Slain at 'Fruitvale Station' (UPDATED, TRAILER)

Ryan Coogler is the real deal. There's a reason why Harvey Weinstein scooped up "Fruitvale Station" at Sundance. He saw Oscar potential in it. This rookie Bay Area filmmaker grabbed a story he cared about and made it real. Audiences wept in Sundance and will do so again in Cannes.
  • By Anne Thompson
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  • July 8, 2013 2:57 PM
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Review: Coppola's 'The Bling Ring'

Confession: going into "The Bling Ring," I was hopeful that I’d find the Sofia Coppola of "Marie Antoinette" rather than the Sofia Coppola of "Somewhere" parked behind the camera. Surely, a true-life Hollywood tale as fundamentally ludicrous as fame-and-celebrity-obsessed hipster teens targeting freebie-laden homes of the rich and famous cried out for the leering (but not sneering) pop-art approach Coppola brought to her portrait of the pampered French queen, rather than the deadpan, going-round-in-circles approach she applied to her tale of an alienated movie star.
  • By Matt Mueller
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  • June 13, 2013 12:58 PM
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On Trying to Work in the Name of a Festival Sponsor (Without Compromising One's Journalistic Integrity)

Since I was a teenager, I've wondered why Coke and Pepsi still have to advertise. Is there anyone who knows what a carbonated beverage is who isn't already aware of these two iconic brands of cola? How hard is it to taste both and decide if a personal preference emerges or that either (or neither) one will do?
  • By Lisa Nesselson
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  • June 3, 2013 3:52 PM
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Cannes Deal: Drafthouse Films Nabs Dutch Domestic Thriller 'Borgman'

Drafthouse Films has picked up rights to domestic thriller "Borgman" from this year's Cannes Film Festival. Helmed by Alex van Warmerdam ("Grimm," "Abel"), and in the tonal vein of Yorgos Lanthimos' "Dogtooth" and Michael Haneke's "Funny Games," it is the first Dutch film to play in competition at the fest in nearly 40 years.
  • By Beth Hanna
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  • May 31, 2013 1:00 PM
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Cannes 2013 Wrap: TOH's Complete Coverage of This Year's Fest

The 66th Cannes Film Festival wrapped on Sunday, with a rousing win for Abdellatif Kechiche's epic lesbian romance "Blue Is the Warmest Color." Below, our complete coverage of the fest -- all reviews, interviews and festival diary entries, in case you missed anything as the coverage came in fast and furious from the Croisette.
  • By Anne Thompson and Beth Hanna
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  • May 29, 2013 1:30 PM
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Review: Douglas and Damon Shine in Soderbergh's Funny, Poignant Melodrama 'Behind the Candelabra'

The Cannes Film Festival accorded Steven Soderbergh's lush period melodrama "Behind the Candelabra" a prime competition slot (his fourth) for a reason. While it's not the first time an HBO movie has played in the mainbar (Stephen Hopkins' "The Life and Death of Peter Sellers" was in competition in 2004), it will be Soderbergh's last, if he sticks to his planned retirement from making films.
  • By Anne Thompson
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  • May 27, 2013 4:34 PM
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Sundance Selects Is Releasing Cannes Winners 'Blue is the Warmest Color' and 'Like Father, Like Son'

The folks at Sundance Selects are smiling, as they not only acquired U.S. rights to Cannes Palme d'Or winner "Blue is the Warmest Color," a lesbian romance that is sure to be a hot ticket back stateside, but U.S. rights to Japanese writer-director Kore-eda Hirokazu’s Jury Prize Winner "Like Father, Like Son," as well.
  • By Anne Thompson
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  • May 27, 2013 4:29 PM
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  • 3 Comments

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