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Thompson on Hollywood

Comic-Con Aids Independents

Comic-Con Aids Independents
Producer-turned-director Matthew Vaughn needs a hit. Layer Cake was a great audition piece, but Stardust was a flop. Much is riding on his next indie venture, the indie-financed $45 million action picture Kick-Ass, which no studio would finance. In an unusual move, Vaughn took 11-minutes of footage of the Hard-R movie (adapted by Jane Goldman from the Mark Millar comic) to Comic-Con, to rouse the fans. From the stage in the cavernous Hall H he exhorted them to vote with their thumbs. The plan: to boost its value with a North American distributor.
  • By Anne Thompson
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  • August 3, 2009 11:46 AM
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  • 1 Comment

Comic-Con: Routh Talks Superman, Pattinson, Dead of Night

Twilight star Rob Pattinson is handling his new fame with grace, according to Brandon Routh, who has endured his own E-ride through the vagaries of celebrity. “He’s getting much worse, more outrageous media attention than I did,” says Routh. “He was in something brand new. He’s handling it well. He’s seems to be a sensible guy. He’s not getting a big head.”
  • By Anne Thompson
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  • July 25, 2009 5:32 AM
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  • 0 Comments

#SDCC Looks: Iron Man 2, Whiteout, Nightmare on Elm Street

As I head to San Diego for my umpteenth Comic-Con, I feel equal parts anticipation and dread. It's fun and I'll learn a lot that I want to know--but it's exhausting, large-crowd, insane circus fun.
  • By Anne Thompson
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  • July 22, 2009 6:36 AM
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Public Enemies: Goldenthal Returns to Studio Score

The only Oscar I ever held belonged to Elliot Goldenthal, who won for his diverse, Mexican-tinged score for partner Julie Taymor's Frida. The New York couple (together since 1984) are equally serious about opera, film and musical theater, which all demand very different skill sets.
  • By Anne Thompson
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  • July 22, 2009 6:30 AM
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#SDCC: Directors Visit Comic-Con for First Time

Comic-Con 2009 is front-loaded. Most of the key movie stuff happens on the first day, Thursday July 23, and Friday, with Iron Man 2 the main play on Saturday. (Here's the EW Iron Man 2 cover-preview.) The trick is to balance the crowded Hall H panels, trawling the exhibition floor, backstage interviews, screenings and parties with actual blogging. Yikes.
  • By Anne Thompson
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  • July 15, 2009 2:14 AM
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#SDCC Comic-Con Separates Top Draws Avatar and Twilight: New Moon

Last year, I remember a few diehard fanboys mocking me when I flagged Twilight as a big deal at Comic-Con. The power of Twilight fans became clear as thousands of girls screamed their lungs out for emerging star Rob Pattinson. Helping to avert certain traffic gridlock, Comic-Con organizers pushed apart back-to-back Thursday panels for Twilight: New Moon and James Cameron's Avatar, by far the most anticipated two panels of the Con. Many were concerned that the threatened tsunami of fans surging toward Hall H Thursday morning (many of them female, in this very male-dominated universe) would make it tough to also cover Disney's 11 AM 3-D panel (Zemeckis's A Christmas Carol, Burton's Alice in Wonderland) and James Cameron's Avatar on the same day. Now New Moon is at 1:45 pm and Avatar is at 3:00 pm. Covering media may have a tough time getting into New Moon without some kind of press pass.
  • By Anne Thompson
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  • July 10, 2009 5:59 AM
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Transformers: ROTF Passes $300 Million

Transformers: Revenge of the Fallen has passed the $300 million in 14 days. The sequel is so hugely successful that it encourages the studios to keep pursuing the same dispiriting tentpole dream. It's not a question of Michael Bay being a crap director. He's clearly in the zone of knowing what audiences want to see. I just worry that the studios will neglect creating original franchises in the first place, which demand creativity and imagination.
  • By Anne Thompson
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  • July 8, 2009 8:16 AM
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Paramount Scores Orci and Kurtzman Project

It's not surprising that new Paramount production head Adam Goodman took advantage of his DreamWorks insider status and nabbed a high-profile project, License to Steal, from the super-hot screenwriter-producing team Alex Kurtzman and Roberto Orci. This buy of an overtly commercial Salon feature about globe-trotting Repo men chasing luxury planes and boats was pursued by several top directors and producers. It signals that an inside-Hollywood pro is back in charge, and the once-quiet studio is back in buying mode. When Paramount put into turnaround projects such as John Carter of Mars and Twilight , that sent another signal: the studio didn't recognize potential franchises.
  • By Anne Thompson
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  • June 29, 2009 5:43 AM
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Six Lessons of Summer Box Office

First the media touted the uptick in 2009 theatrical business, now they're pointing to a downturn compared to last summer's b.o., a few big flops and the absence of blockbusters. "Through Sunday, summer B.O. revs stood at $1.46 billion, compared to $1.47 billion last year," reports Variety.
  • By Anne Thompson
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  • June 17, 2009 3:04 AM
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Transformers' LaBoeuf: Troubled Star

What a difference two years makes. The picture on left of Shia LaBeouf ran in Parade Magazine when Disturbia made him into a star. The photo on the right ran this week in Parade in advance of Transformers: Revenge of the Fallen. (Here's http://www.variety.com/review/VE1117940483.html?categoryid=31&cs=1">Variety's review.) We all know that talent is only one component of a long and happy career. Stability is another. Or to put it another way, sometimes the sensitive tuning rod that is essential to a working actor's skill set isn't screwed on tight enough. LaBeouf speaks frankly about his demons. I wish him well in dealing with them.
  • By Anne Thompson
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  • June 16, 2009 7:16 AM
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  • 0 Comments

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