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Thompson on Hollywood

IndieWIRE Finds Deep-Pocketed Backer

It makes sense that filmanthropist, doc lover and web enthusiast Ted Leonsis, the former vice chairman of AOL, would not only launch doc-friendly website SnagFilms but would also buy IndieWIRE, the trusted New York-based indie film newswire, social network and hub.
  • By Anne Thompson
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  • July 7, 2008 7:42 AM
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And Then There Were None: Critics on Death Watch

I'm late to weigh in on the news that the Village Voice had axed film critic Nathan Lee earlier this week (which was neither as juicy nor as surprising as the in-fighting that followed on The Reeler). Word has it that revenues are way, way down at the chain and at least one of our friends at the LA Weekly will likely be pounding the pavements before the week is out.
  • By Anne Thompson
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  • March 27, 2008 4:55 AM
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Oscar Watch: National Society Picks There Will Be Blood

We knew the various critics groups would go for No Country for Old Men and There Will Be Blood, as the National Society of Film Critics did Saturday. This means each film gets a boost during this all important ballot-filling season. What fascinates me is whether the Academy goes the same way as the critics. (Tom O'Neill goes underground with the NSFC voting.)
  • By Anne Thompson
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  • January 6, 2008 7:31 AM
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Holiday Round-Up

The year-end results are in, from ten best lists to holiday openings (here's Pam McClintock's b.o. wrap). So what does it all mean?
  • By Anne Thompson
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  • January 2, 2008 7:36 AM
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No Country for Old Men: That Pesky Ending

I'm having big debates about No Country for Old Men, especially the ending. If you've read the Cormac McCarthy book, you know that the Coens have done a very faithful adaptation, which McCarthy admires. [SPOILER ALERT] The duo was attracted to the very things that make the movie unconventional: a major character dies, and the forces of good don't triumph over the forces of evil at the end.
  • By Anne Thompson
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  • November 27, 2007 6:52 AM
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No Country for Old Men's Ending Sparks Debate

I'm having big debates about No Country for Old Men, especially the ending. If you've read the Cormac McCarthy book, you know that the Coens have done a very faithful adaptation, which McCarthy admires. [SPOILER ALERT] The duo was attracted to the very things that make the movie unconventional: a major character dies, and the forces of good don't triumph over the forces of evil at the end.
  • By Anne Thompson
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  • November 27, 2007 1:42 AM
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There Will Be Blood: Early Reviews

Variety's Todd McCarthy delivers a rave review of Paul Thomas Anderson's much-anticipated There Will Be Blood. We saw it at the same screening on Friday last week. McCarthy wanted to take his time with this review, and not rush it out the door. Here's a sample:
  • By Anne Thompson
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  • November 1, 2007 5:51 AM
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Michael Clayton Vs. Leatherheads; Gilroy Talks

Things are looking up for Michael Clayton, which opened to rave reviews (a terrific 88% fresh on rotten tomatoes) and boffo initial box office in limited release.
  • By Anne Thompson
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  • October 8, 2007 7:36 AM
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TIFF: Audience vs. Critics

Three tracks of movies screen in Toronto: high-brow innovative cinema to intrigue critics and cinephiles, movies with news content for the hungry media, and pics that wow the film fans in theaters. The most fortunate--breakouts like Jason Reitman's Juno, Joe Wright's Atonement, Craig Gillespie's Lars and the Real Girl, and Sean Penn's Into the Wild--do it all.
  • By Anne Thompson
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  • September 12, 2007 8:20 AM
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Rush Hour 3 Review: Ratner Winds Up Action Comedy Trilogy

I was agreeably surprised by Brett Ratner's action-comedy Rush Hour 3, but given that it was threequel I wasn't expecting much. This time Ratner drops the bickering fish-out-of-water duo Chan and Tucker into Paris and gives Chan more comedy and Tucker more action, with entertaining results. It will do very well, although the competition in the next couple weeks from the likes of Bourne Ultimatum and Superbad is as intense as any period all summer.
  • By Anne Thompson
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  • August 2, 2007 9:41 AM
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