"The Master" is challenging, gorgeous, and forcefully weird, a critical darling and early Oscar contender, but you already knew that. It's also the fourth film in a great, daring, ambitious project to depict the shadow side of our national life over the course of a century — what might be called Paul Thomas Anderson's "American Quadrilogy."
- By Matt Brennan
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- September 25, 2012 1:14 PM
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- 5 Comments
Recent Comments
Yeah, no excuses for such errors, though the usual Cannes sleep deprivation may have had something
No, I was simply trying to describe what I found to be an ugly pallet. I don't have contempt
Great review, but the rhinestone business is in Austria, not Australia.