Thompson on Hollywood

IFC Goes On Cannes Buying Spree

Festivals

IFC Films is on a buying tear. They happen to be at Cannes, but they obviously had been talking about acquiring U.S. rights to Ari Posin's "The Face of Love" since its well-received debut (under the title "The Look of Love") at SXSW. The romantic mystery stars Annette Bening as a widow who falls hard for an art teacher (Ed Harris) who doesn't know that he happens to be a dead ringer for her late husband.

By Anne Thompson
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May 16, 2013 1:14 PM
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Sundance Selects and IFC Appoint Three New Execs for Marketing and Publicity

News

Sundance Selects/IFC Films has just appointed three new executives to head their marketing and publicity departments for the company's distribution labels.

By Ryan Lattanzio
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April 24, 2013 4:36 PM
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Sundance Deal: IFC Picks Up 'Ain't Them Bodies Saints'

News

IFC has sealed a deal for U.S. rights to David Lowery's Sundance favorite "Ain't Them Bodies Saints." The acquisition reportedly came after a battle involving the company and three other distributors that lasted through the night of January 24 and into the morning of the 25th.

By Beth Hanna
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January 25, 2013 12:11 PM
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Weekend Box Office: What the Indie Numbers Really Mean UPDATED

Box Office

The weekend marks the return of two veteran filmmakers who were established in specialized theaters in the 1990s – Whit Stillman and Nanni Moretti. Films from both directors (who have always made pointed observations about their surroundings) opened to respectable if not spectacular grosses this holiday weekend.

By Tom Brueggemann
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April 10, 2012 1:52 PM
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Sundance Deal Update: 'Simon Killer,' 'Chasing Ice,' 'The Pact'

Festivals

With many of the biggest buyers heading home with depleted wallets, smaller deals are playing out. IFC Films is in final talks to acquire "Simon Killer," a psychological drama; this is IFC's second acquisition after writer-director-actor Josh Radnor's "Liberal Arts."

By Nora Chute
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January 26, 2012 6:08 PM
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2011 Sundance Film Fest Theatrical Acquisitions Underperform – Set Low Expectations for 2012

Festivals

What does "Our Idiot Brother" have in common with "The Kids Are All Right," "Precious," "Sunshine Cleaning," "Once," "Little Miss Sunshine" and "March of the Penguins”? Like those other titles (distributed between 2005-2011), it was the highest-grossing film in theaters among those acquired at the Sundance Film Festival (SFF) the year it premiered.

By Tom Brueggemann
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January 16, 2012 4:20 PM
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London Boulevard and Melancholia Hit VOD Before Theaters

News

Two indie films with strong casts are available right now on VOD before they hit movie theaters on November 11. Magnolia is releasing controversy-magnet Lars von Trier's Melancholia, starring Cannes best actress winner Kirsten Dunst, on OnDemand, iTunes, Amazon, Vudu, Playstation and Zune.

By Anne Thompson
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October 7, 2011 9:34 AM
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Werner Herzog Talks 'Into the Abyss,' Looks "deep into the heart of ourselves" (video)

Features

One reason that Werner Herzog's docs are so compelling and entertaining is that his powerful personality is all over them, commenting, narrating, querying. Herzog's docs, as lauded as they are, are often overlooked by the Oscar documentary branch, which nominated while Encounters at the End of the World but did not recognize Grizzly Man, Into the Abyss and Cave of Forgotten Dreams (which was not screened in 3-D). (Michael Moore cites these oversights in his successful quest for changing the Academy rules.) "It's not easy to figure out how the system works," says Herzog. "It doesn't give me sleepless nights. This one is more what they think the documentary is supposed to be. It's so straightforward. No radioactive albino crocodiles. No commentary."

By Anne Thompson
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October 3, 2011 8:18 AM
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Toronto Wrap: Best of Fest, Oscar Boosts, Winners and Losers

The trick with the fall film festivals is to gauge expectations going in vs. what was actually achieved. Various distributors launched their fall slates, and watched with pleasure or horror at how their movies were received by audiences and critics. Oscar contenders either moved forward in the awards race, or were pushed back. Other indies hoped their films would be picked up by the right distributor in time for this year's Oscar race. Some were, some weren't. It's tough for films that have already debuted at other festivals to pick up new momentum, although the press will bank features for release. The biggest noise goes to the new players, always.

By Anne Thompson
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September 21, 2011 7:04 AM
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Micro-Indie Myth of the American Sleepover Intros New Director, Actress

At last year's Cannes, I was completely engaged by rookie David Robert Mitchell’s micro-budget indie The Myth of the American Sleepover (Critics’ Week), which is a deceptively simple reworking of the American Graffiti trope: a bunch of high school kids at summer’s end seek connection.