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Thompson on Hollywood

Dark Knight Review: Nolan Talks Sequel Inflation

Finally, I would have preferred to see The Dark Knight in 35 mm, not IMAX. (I will go see it again when it opens July 18.) While the sequences that were shot with giant cameras were stunning at the IMAX venue--especially the deep detailed helicopter shots over Gotham and the amazing car/truck chase filmed in Chicago's freeway tunnels--I found the movie overwhelming. My brain starts to shut down when it gets over-pixillated, and this film goes on for two and a half hours. (Here's Justin Chang's review.)
  • By Anne Thompson
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  • July 6, 2008 7:35 AM
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Summer Begins: Iron Man, Speed Racer, and Superheroes

Let the summer games begin. The LAT's Ken Turan takes on summer blockbuster syndrome, while The Huffington Post addresses summer superheroes.
  • By Anne Thompson
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  • May 1, 2008 5:48 AM
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Iron Man: Downey and Favreau Rock

I managed to convince Paramount to show me Iron Man earlier this week, and grabbed director Jon Favreau for a phone interview from the European leg of his round-the-world press tour, from Paris to Rome to the London Premiere. Here's my Iron Man column, which even explains why Samuel Jackson and Hilary Swank aren't in the movie.
  • By Anne Thompson
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  • April 25, 2008 5:57 AM
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Iron Man: Why it Will be Huge

Those of us who saw Paramount's first Iron Man materials at Comic-Con--and witnessed the hordes lining up just to see the damned costume unveiled--don't need to be convinced that this picture will be a summer boxoffice juggernaut. It should easily pass $200 million. Will it get to $300 million is another question.
  • By Anne Thompson
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  • April 10, 2008 4:23 AM
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Comic-Con Wrap: Iron Man, Marvel, Hulk, Watchmen, Narnia, Golden Compass, Shoot 'Em Up

While Comic-Cons past have heralded the advent of such future blockbusters as 300 and Superman Returns, this year only Jon Favreau’s new Marvel entry starring Robert Downey, Jr. as the mighty Iron Man roused the fan hordes in the 6000-seat Hall H to rise up and give a standing O. The crowds also responded well to Pixar's Wall-E, from Finding Nemo creator Andrew Stanton, about a robot trash compactor left behind on earth, who is being "voiced" by sound wizard Ben Burtt, who created the whistle-language for Star Wars' R2D2.
  • By Anne Thompson
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  • July 31, 2007 4:34 AM
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