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Oscar Talk: 2010 Ten Best Lists, from "Another Year" to "Winter's Bone"

Oscar Talk: 2010 Ten Best Lists, from "Another Year" to "Winter's Bone"
On Oscar Talk this week, as promised, Kris Tapley and I count down, defend and debate our rather diverse and distinctive top ten films of 2010. While we both include The Social Network and Toy Story 3, we agree to disagree on one of my faves, Lisa Cholodenko's The Kids Are All Right and Martin Scorsese's Shutter Island, which Kris admires. Notable omissions from both lists: 127 Hours, Rabbit Hole, Blue Valentine, Get Low, The Town, Inception, The Fighter and The Ghost Writer.
  • By Anne Thompson
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  • December 10, 2010 8:14 AM
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  • 3 Comments

TRON: Legacy’s 3-D VFX Stretch Current Movie Tech to its Limits

TRON: Legacy’s 3-D VFX Stretch Current Movie Tech to its Limits
In the current issue of Popular Mechanics, I dig into the edge of the visual effects frontier represented by TRON: Legacy, which Disney opens wide December 17. The sumptuously visual movie will wow moviegoers with its 3-D VFX, if not its compelling storyline. Here's a snatch of the feature:
  • By Anne Thompson
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  • December 9, 2010 7:08 AM
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  • 0 Comments

TRON: Legacy Early Reviews: "Visually Stunning," "Flimsy," "Sloppy," "Immersive"

TRON: Legacy Early Reviews: "Visually Stunning," "Flimsy," "Sloppy," "Immersive"
Well, someone let the cat out of the bag on Disney's Tron: Legacy sequel: reviews weren't supposed to to go live until after the London premiere (the Livestream December 5 is here). A sampling of reviews is below. Some like it, some don't.
  • By Anne Thompson
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  • December 4, 2010 2:21 AM
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  • 5 Comments

Oscar Talk: What's Up, Down After Gothams, Indie Spirits, National Board of Review

Oscar Talk: What's Up, Down After Gothams, Indie Spirits, National Board of Review
This week Kris Tapley, indieWIRE's Peter Knegt and I analyze the impact of the Gotham Awards, Indie Spirit noms, the National Board of Review and the Coens' finally viewed and reviewed True Grit on the awards race. Kris went to the Inception DVD/Oscar party (so did Amy Dawes). It's a contender--but 127 Hours could be a little shaky.
  • By Anne Thompson
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  • December 3, 2010 6:12 AM
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  • 0 Comments

True Grit Early Reviews: "Accessible, Simple, Mythic and Beautiful," "Thirsting For More" [Updated]

True Grit Early Reviews: "Accessible, Simple, Mythic and Beautiful," "Thirsting For More" [Updated]
Anne Thompson's True Grit review headline is: Coens Deliver PG-13 Classic Western, Bridges Owns Cogburn. Here's a round-up of other early reviews [Updated with more]:
  • By Sophia Savage
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  • December 2, 2010 12:48 AM
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  • 1 Comment

True Grit Early Review: Coens Deliver PG-13 Classic Western, Bridges Owns Cogburn

True Grit Early Review: Coens Deliver PG-13 Classic Western, Bridges Owns Cogburn
Finally, the last anticipated Oscar contender has been screened and Wednesday, reviewed. The question is whether expectations of the Coens' True Grit have been overblown. Reaction at one New York screening was mixed. It's not surprising; pure westerns do not play in some quarters. Younger moviegoers don't get the genre; westerns are set in a past that is too distant and foreign. But the Academy, which trends older and male, will be far more receptive, so this well-mounted movie may well hit their soft spot. (The Gurus 'O Gold weigh in). Here is our round-up of True Grit's other early reviews.
  • By Anne Thompson
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  • December 1, 2010 5:58 AM
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  • 6 Comments

Star Watch: Burlesque vs. Showgirls, True Grit's Steinfeld, X-Files' Duchovny and Anderson Reunite

- We made the comparison back on November 5 ("Burlesque...the bastard child of Moulin Rouge and Showgirls"), and now The Daily Beast has taken the Burlesque vs. Showgirls concept to new heights. They say that while Burlesque is not a notorious train-wreck like Showgirls (Cher and Christina Aguilera also hold more clout than Elizabeth Berkley did in 1995), it "is not without issues, the script being a big one, but it embraces campiness in a more jovial way, striving to be an updated Chicago or Cabaret, sans the heavy undertone issues, like abortion and anti-Semitism."
  • By Sophia Savage
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  • November 24, 2010 5:21 AM
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  • 0 Comments

True Grit Posters Starring Damon, Bridges, Brolin, Steinfeld: No Country for Old Men Redux

In a reprise of a strategy Miramax employed for producer Scott Rudin and the Coen brothers on No Country for Old Men (which eventually took home the Oscar), Paramount has designed a series of posters for the Coens' True Grit (below).
  • By Anne Thompson
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  • November 23, 2010 10:27 AM
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  • 0 Comments

Oscar Watch: King's Speech, Firth, Bening Lead Gurus 'o Gold Poll

Oscar Watch: King's Speech, Firth, Bening Lead Gurus 'o Gold Poll
The Gurus 'O Gold will now be voting every week as the awards season picks up steam. The latest votes reflect where the Oscar race stands now, with consensus on the top six, led by The King's Speech, which played better for my Sneak Previews class than anything else has in five years of programming. We also voted on actor and actress.
  • By Anne Thompson
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  • November 5, 2010 3:43 AM
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Oscar Wrap: Blue Valentine's Gosling, Dive-Bombing 127 Hours, Best Actress Death Match

Blue Valentine star Ryan Gosling not only talks to Crazy, Stupid, Love co-star Steve Carell, but self-mockingly poses in tight leather in the rain for Interview Magazine. On his past Oscar nomination for Half Nelson, he says: "it feels weird…not that long ago that I was on a TV show called Young Hercules in which I had a fake tan and wore tight leather pants and fought imaginary monsters." As for working on the smaller indie films he loves, the downside is that "when you’re making them, you’re pretty sure no one’s going to see them," he notes---unless they get a nomination: "[it] in some way affirms those choices by making it possible for people to hear about a film and maybe see a movie they wouldn’t have otherwise seen."
  • By Sophia Savage
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  • October 28, 2010 7:55 AM
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  • 4 Comments

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