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Thompson on Hollywood

Netflix Lands Streaming Rights to Mad Men Reruns

Netflix has scored another coup, landing exclusive streaming rights to Mad Men reruns from Lionsgate TV, reports Variety:Episodes from the AMC drama's first four seasons will bow July 27. Deal covers all seven seasons of the Emmy-winning drama. Pact is believed to be worth nearly $1 million an episode for the series. It's believed that Netflix will be the primary off-net window for the series, given the high price tag.
  • By Anne Thompson
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  • April 5, 2011 11:20 AM
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TV Over Movies: from Mildred Pierce and Nurse Jackie to Shameless and Justified

Reading the papers Friday morning, I realized that I'm more interested in Camelot, The Kennedys, The Borgias, Mildred Pierce and the American version of Scandinavian hit The Killing than the new movie reviews. It turns out that I can skip Camelot and The Kennedys, which earned lousy notices. And I'm already watching Todd Haynes' gorgeously-mounted HBO mini-series Mildred Pierce, which is well-acted by Kate Winslet, Melissa Leo, Guy Pearce and Mare Winningham, but judging from the draggy first two episodes, didn't need to be stretched to five installments. And David Ulin's review made me want to go back to my fave James Cain paperbacks, which I read in my 20s. Time to make a pitch to my book group.
  • By Anne Thompson
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  • April 1, 2011 6:29 AM
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  • 2 Comments

Weiner and AMC Make Mad Men Pact

Raise high the roof beam, carpenters! AMC, Lionsgate and Mad Men showrunner Matthew Weiner have made their deal to extend his contract for as much as $30 million if it goes to three seasons. He will remain in charge of the lucrative show starring Jon Hamm as Madison Avenue ad exec Don Draper. Variety's Cynthia Littleton has the details:The sides came to a compromise on the running time issue by settling in allowing the show to run at its standard 47-minute length for each season premiere and season finale. The 11 episodes in between will run 45 minutes, but Weiner will have the option of delivering a 47-minute version to be made available on VOD and ultimately on DVD. (There's also been chatter about Lionsgate cutting a deal with Netflix for streaming rights to "Mad Men.")
  • By Anne Thompson
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  • March 31, 2011 12:07 PM
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More: TV, Mad Men, AMC

Mad Men vs. Advertising: Weiner, AdAge and the Greatest Movie Ever Sold

Mad Men has been all over the news, from showrunner Matthew Weiner's contract dispute with AMC to disputes about how advertising should be used on the show. Isn't Mad Men about advertising? Sure. But that doesn't mean Weiner should sacrifice his creative integrity.
  • By Sophia Savage
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  • March 31, 2011 6:00 AM
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  • 1 Comment

Video Watch: Mad Men's Jon Hamm

For those of you mourning the loss of AMC summer series Mad Men (still mired in negotiations and pushed back to 2012), herewith for your delectation, some Jon Hamm hits. Here are some choice Don Draper quotes. And more videos are below.
  • By Anne Thompson
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  • March 30, 2011 6:49 AM
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More: Video, TV, Mad Men, AMC

Digital Viewing Transition: The Rise of Netflix

Digital Viewing Transition: The Rise of Netflix
In their excellent year-ahead discussion on KCRW's The Business, host Kim Masters and guests John Horn (the LAT) and Michael Schneider (Variety) agreed that 2011 marks a watershed year in the transition from traditional to digital viewing choices. They think the shift will come faster for movies than television. "The studios are burning along with huge overhead and a lot of movies that aren't working," says Masters, a confessed Luddite who defends theater-going.
  • By Anne Thompson
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  • January 6, 2011 2:03 AM
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  • 1 Comment

Weekly Wrap: Awards and Festivals, News, Media, Celebs

In the past week, TOH looked at Names That Rule in Moviesphere, considered Recycling at the Cinema [pictured: DiCaprio and Hall, potentials for Great Gatsby remake] and pondered the five things that went wrong with Wall Street 2: Money Never Sleeps.
  • By Sophia Savage
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  • October 22, 2010 7:23 AM
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Mad Men's Jaw-Dropping Season Four Finale: "A pretty girl walks by and everything's out the window."

Tim Appelo recaps Mad Men's Season Four finale (packed with Spoilers, needless to say). I am not the only one drooping with disappointment that my fave series is going into hiatus. Sigh. “A secretary is not a pet, nor an erector set,” they sang in the 1961 Robert Morse musical How To Succeed in Business Without Really Trying -- but try telling that to Don Draper. In Mad Men’s jawdropper fourth-season finale, he drop-kicks his brilliant, drop-dead gorgeous girlfriend Dr. Faye Miller and pops the question to his secretary du jour, Megan –better known as “Who the hell is that?” (as Roger Sterling blurted when Don announced the engagement). Draper secretaries come and go like Spinal Tap drummers, but Megan turned a one-night stand into a giant diamond.
  • By Tim Appelo
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  • October 20, 2010 6:50 AM
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Celeb Watch: Saoirse Ronan's Killer Slate, Hamm on Cusp of Movie Stardom, Gibson in Hangover 2

- Vulture chats with Saoirse Ronan, who at sixteen has had more meaty dramatic roles than most actresses twice her age. True, she has played children: she led us into the heart of Joe Wright's Atonement and almost made Peter Jackson's The Lovely Bones worth watching. After a turn in Peter Weir's ensemble The Way Back (which rolls out in December and January), she boasts two more adult roles, in Joe Wright's Hanna (Focus) and Geoffrey Fletcher's indie Violet & Daisy. She plays a teen raised by her father (Eric Bana) as a killer in the former (April 2011) and an assassin in the latter (with Alexis Bledel, James Gandolfini and Danny Trejo). Despite the similarities of these two roles (which also call to mind Femme Nikita and Kick-Ass), Ronan insists they are very different: "Hanna is more serious, and funnily enough, it's more realistic. Violet & Daisy is quite surreal." On her relationships with these two directors, she agrees that Fletcher is a "really sweet guy" (directing his first film) and that her working relationship with Wright is now "quite in sync."
  • By Sophia Savage
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  • October 18, 2010 5:46 AM
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Director Lynn Shelton Talks AMC's Mad Men, MTV's $5 Cover Seattle

Seattle-based indie director Lynn Shelton (Humpday) directed the latest Mad Men episode. She talks to TOH film critic Tim Appelo, who admires her style.Mad Men hit big this week with “Hands and Knees,” Episode 410, thanks to the last director you’d ever expect: Seattle’s Lynn Shelton, 45, a TV debutante and micro-indie autodidact who never went to film school. A stage actor from 11 to twentysomething, Shelton won Slamdance at 41 with her theatre satire and chick flick We Go Way Back. Todd Haynes and Ira Glass became fans. So did Mad Men main man Matt Weiner, who hired her the same day her Mike Leigh-style (and Judd Apatow-like) improvised 2009 bromance Humpday won an Indie Spirit Award. “I just couldn’t believe my luck,” says Shelton. “I went around for two entire months with a gigantic goofy smile on my face, hugging anyone who would let me.”
  • By Tim Appelo
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  • September 29, 2010 8:17 AM
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  • 0 Comments

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