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Thompson on Hollywood

Production Designer Adam Stockhausen Talks 'The Grand Budapest Hotel' (VIDEOS)

Imagine going from "12 Years a Slave" to "The Grand Budapest Hotel." That's exactly what happened to production designer Adam Stockhausen, who was able to convey beauty in the darkest of dramas, but when it came to Wes Anderson's witty caper, there was no holding back the Czech Republic eye candy: a pink hotel, a dollop of yellow butter cream, and the sugary Mendl's bakery.
  • By Bill Desowitz
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  • March 7, 2014 3:53 PM
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  • 1 Comment

Anatomy of a Scene: Solomon Northup Chained in '12 Years a Slave'

One of the most important yet difficult decisions in Steve McQueen's "12 Years a Slave" was how to depict Solomon Northup (Chiwetel Ejiofor) waking up in bondage. Fortunately, they hit on the idea in the cutting room to tell it out of sequence, the result of which was disconcerting for Northup and viewer alike, and which laid the groundwork for a more intimate narrative approach by staying with his POV. I discussed this crucial scene with the two Oscar nominees, production designer Adam Stockhausen and editor Joe Walker.
  • By Bill Desowitz
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  • February 19, 2014 4:26 PM
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  • 3 Comments

Anatomy of a Scene: Dissecting the Bravura 'Gravity' Opening

The extraordinary 13-minute opening of Alfonso Cuaron's "Gravity" is like a mini-movie, setting up the zero-gravity world in space, the two astronauts played by Sandra Bullock and George Clooney, the mood, the tension, the crisis, and the metaphor. I break it down with Oscar-nominated cinematographer Emmanuel (Chivo) Lubezki, production designer Andy Nicholson, VFX supervisor Tim Webber, sound mixer Chris Munro, and editor Mark Sanger.
  • By Bill Desowitz
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  • February 14, 2014 2:45 PM
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  • 1 Comment

David O. Russell and Oscar-Nominated Crew Talk the Craft of 'American Hustle'

David O. Russell's on a roll with his Oscar-contending "American Hustle," his most personal and popular movie yet. It's smart and funny, and has obviously touched a nerve with its story of survival and reinvention during the cultural and political upheaval of the late '70s. "I don't care about pure dissipation or pure cynicism -- I've gotta have the thing that people live for," he insists. So in a recent roundtable discussion, we explored how this passion spilled over to his Oscar-nominated crew: production designer Judy Becker, costume designer Michael Wilkinson and editor Jay Cassidy.
  • By Bill Desowitz
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  • February 12, 2014 2:50 PM
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  • 1 Comment

Anatomy of a Scene: Talking the 'Her' Office with Oscar-Nominated Production Designer K.K. Barrett

Spike Jonze's beautiful and beguiling "Her," the dark horse in the best picture Oscar race, offers a warm and inviting fusion of LA/Shanghai, with its intoxicating use of red. And the opening scene in the office -- a high rise on Hope near Bunker Hill -- wonderfully sets up the delicate mood and world inhabited by the forlorn Joaquin Phoenix. Oscar-nominated production designer K.K. Barrett discusses his artistic choices and the impact.
  • By Bill Desowitz
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  • January 31, 2014 2:05 PM
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  • 0 Comments

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