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Thompson on Hollywood

SXSW: Early Reviews of Bridesmaids, Starring Kristin Wiig, Jon Hamm, Maya Rudolph

SXSW: Early Reviews of Bridesmaids, Starring Kristin Wiig, Jon Hamm, Maya Rudolph
Universal tried to bring Office director Paul Feig and writer-actress Kristin Wiig's dumb-female comedy Bridesmaids (May 13) to SXSW as a work-in-progress, but as soon as the director admitted that it was a final cut from the Paramount stage Sunday night, Variety critic Joe Leydon whipped out his timer, took notes and went straight home to file his review. It was savage. Apres Joe, le deluge. (Excerpts and more below).
  • By Anne Thompson
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  • March 15, 2011 10:05 AM
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  • 7 Comments

Errol Morris Talks Tabloid and Other Strange Topics

Errol Morris's Tabloid was one of my fave films at the Toronto Film Festival, from which Sundance Selects eventually acquired the truth-is-stranger than-fiction doc. It's screening at SXSW. Morris discovered the nugget of this story, about Joyce McKinney and her obsessive love with a man she tries to save from a cult, buried in the jump of a Boston Globe article. Only Morris would see the potential in it.
  • By Anne Thompson
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  • March 14, 2011 7:55 AM
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  • 0 Comments

SXSW Day One: Early Buzz, Opener Source Code Plays Well

SXSW Day One: Early Buzz, Opener Source Code Plays Well
People keep telling me to see Ti West's horror flick The Innkeepers. So I'll check it out Saturday night. That's what film festivals do. They start buzz on a movie that few have seen or know anything about, and suddenly a career is born--or not.
  • By Anne Thompson
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  • March 12, 2011 10:49 AM
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  • 1 Comment

Weekly Wrap: Jane Eyre Interviews, Western Revivals, Guide to Fairy Tales, Miral, Fandor, Finke

- Deadline Update: Why HBO Turned Down Keaton’s Tilda, Finke vs. Academy and The Wrap.
  • By Anne Thompson and Sophia Savage
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  • March 11, 2011 8:40 AM
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  • 0 Comments

Battle: Los Angeles, Jane Eyre, Red Riding Hood, Certified Copy, Mars Needs Moms, Black Death

[Pictured: Red Riding Hood, Battle: Los Angeles, Jane Eyre]There is something for everyone this weekend. If you are somehow still in the mood for mass destruction, despite the tragedy that has befallen Japan, check out Battle: Los Angeles. More interested in classic love stories? Jane Eyre is Sin Nombre director Cary Fukunaga's smart retelling of Charlotte Bronte's gothic novel; Abbas Kiarostami's Certified Copy offers a complex investigation of originality, value and love ripe for post-screening debate. Red Riding Hood and Mars Needs Moms should keep younger audiences entertained for a few hours. Indies Black Death and Kill the Irishman provide ample violence and machismo. Film details, reviews and trailers are below.
  • By Sophia Savage
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  • March 11, 2011 8:30 AM
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  • 0 Comments

Red Riding Hood Reviews: "Snoozy Lulluby," "Hokum at Best," "Generic," "Moon-faced and Dumb"

Red Riding Hood Reviews: "Snoozy Lulluby," "Hokum at Best," "Generic," "Moon-faced and Dumb"
IndieWIRE's Caryn James says that Red Riding Hood makes Twilight look good. You've been warned. Below, a round-up of reviews on Catherine Hardwicke's reinterpretation of the classic fairy tale, which has been told in various forms since the 14th century. This latest retelling didn't get the Disney PG treatment, nor does it have a male-friendly gothic-horror edge. It sits somewhere in-between: the femme teen zone. Check back Saturday for TOH's SXSW interview with Hardwicke. In the meantime, see what the critics are saying:
  • By Sophia Savage
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  • March 10, 2011 7:12 AM
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  • 4 Comments

Weekend Box Office: Animation Rules as Rango Wins Opening Duel with Adjustment Bureau

As the studios chase branded entertainment, the one genre open to original thinking is animation. Who can blame Gore Verbinski, after three Pirate movies, for heading back to the old West with a John Logan homage to westerns, top-of-the-line Industrial Light and Magic animation, and Johnny Depp leading a cast of great character actors? After a slow winter lacking an Avatar or Alice in Wonderland to perk up attendance, audiences returned to multiplexes to check out Rango, the winter's second hit western (after True Grit) and a slew of other new entrants.
  • By Anthony D'Alessandro
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  • March 6, 2011 5:45 AM
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  • 0 Comments

Rango, Adjustment Bureau, Beastly, Take Me Home Tonight, I Saw the Devil: Blockbuster Weekend?

2011 is due for its first blockbuster weekend. From Johnny Depp's animated Rango and Matt Damon and Emily Blunt's The Adjustment Bureau to teen flick Beastly, 80s throwback Take Me Home Tonight and Korean horror film I Saw the Devil, all the demographic bases are covered. We recommend Damon and Blunt's effortless on-screen chemistry, the wondrously imaginative Rango, and indie festival favorites Abel and Uncle Boonmee Who Can Recall His Past Lives. Film details, reviews and trailers are below.
  • By Sophia Savage
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  • March 4, 2011 8:30 AM
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  • 0 Comments

Potiche Early Reviews: Delicious French Feminist Comedy

A fest favorite at Venice, François Ozon's feminist comedy Potiche (New York and LA, March 24, followed by a national release), stars a comedic Catherine Deneuve as a 70s trophy wife who takes over her husband’s umbrella factory while he is away and loves it so much that she tries to take it back from him. She has been flirting with an old lover, Gerard Depardieu, for decades. Even though the vet French star is as big as a house, their scenes together are delicious. This comedy is commercial enough to score with a stateside art-house boomer audience. A round-up of early reviews, the poster and trailer are below:
  • By Anne Thompson
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  • March 4, 2011 8:30 AM
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  • 0 Comments

I Saw the Devil Early Reviews, Kim Jee-woon and Lee Byung-hun Interview: Vengeance is Mine

Korean director Kim Jee-woon is the real deal. He's a smart visually canny director with a sharp sense of humor who adeptly plays with genres, from his sixth film, the wacky Oriental western hit The Good, The Bad, and the Weird to the serial killer thriller I Saw the Devil, which also features Good Bad Weird star Lee Byung-hun.
  • By Anne Thompson
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  • March 3, 2011 9:29 AM
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  • 0 Comments

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