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Thompson on Hollywood

Toronto Wrap: Indie Bloodbath

Toronto Wrap: Indie Bloodbath
If industry-watchers didn't see it coming, they figured it out at this year's Toronto Film Festival.
  • By Anne Thompson
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  • September 19, 2009 9:09 AM
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  • 17 Comments

Festival Season: Feast and Famine, Ten Hot Toronto Pick-Ups

Festival Season: Feast and Famine, Ten Hot Toronto Pick-Ups
Going into the fall festival season in Venice, Telluride, Toronto and New York, we know the following:
  • By Anne Thompson
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  • September 1, 2009 10:07 AM
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  • 3 Comments

District 9: Oscar Contender?

District 9: Oscar Contender?
District 9 is a great movie that deserves every kudo and by all accounts played great for the Academy the other night.
  • By Anne Thompson
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  • August 20, 2009 3:45 AM
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  • 3 Comments

Hollywood Health Report

Hollywood Health Report
Each day brings more news of a troubled company needing debt restructuring or a management overhaul. The Weinstein Co. and MGM are just the latest examples. All the studios face pressure from their corporate parents in a grim recession amid declining ad and DVD revenues. Sales are down across the board, including classic rereleases, and less precipitously, specialty titles.
  • By Anne Thompson
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  • August 18, 2009 7:43 AM
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  • 3 Comments

Weekend B.O., District 9 No. One, Rise of Streep, Fall of G.I. Joe

Sony marketing took rookie Neill Blomkamp's $30-million VFX thriller to a terrific estimated $37 million--it wasn't the stunning reviews alone. All the Comic-Con raves and critics and folks on twitter and facebook had a viral impact. The R-rated sci-fi thriller opened well to its largely male base. A sustained hold will require other audience segments to come in--and I just don't know how this plays for women. They went to see The Time Traveler's Wife this weekend, which nabbed lousy reviews and came in at a solid $19 million.
  • By Anne Thompson
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  • August 17, 2009 8:54 AM
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  • 4 Comments

An Education Poised for Awards Contention

Lone Scherfig and Nick Hornby's An Education emerged from Sundance as a serious awards contender. Anyone who saw the film there witnessed a remarkable debut: Carey Mulligan boasts Audrey Hepburn-style class, charisma and smarts. In the film, she's well-cast as a sharp and sexy 60s high schooler bursting to break out into the bigger world. Peter Sarsgaard (with an impeccable British accent) is the older rake who gives her what she wants and steals her innocence in the bargain. Sony Pictures Classics should steer this picture to critical praise and major awards.
  • By Anne Thompson
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  • July 30, 2009 1:21 AM
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  • 0 Comments

Studios Gets Tough; Sony Puts Moneyball in Play

In the overall scheme of things, a $57-million budget is pocket change to a studio, especially a big-spender like Sony. So why would Sony chairman Amy Pascal risk alienating a star like Brad Pitt and a director like Steven Soderbergh by pulling the plug on baseball movie Moneyball hours before it was to start shooting? She's sending a message to Hollywood, loud and clear. She's asserting her power to just say no. Finally, in this economy, the studios are spending less on fewer available slots. That's also what Brad Grey is signalling at Paramount by ditching production execs John Lesher and Brad Weston: he's saying, "There's no room for error."
  • By Anne Thompson
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  • June 21, 2009 2:19 AM
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  • 0 Comments

TIFF: Flying into Toronto; Eastern Promises

It's nuts to take a 7 AM flight; it means nobody gets any sleep. But I was not the only industryite flying Air Canada early Saturday morning.
  • By Anne Thompson
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  • September 8, 2007 8:27 AM
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  • 0 Comments

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