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Thompson on Hollywood

Lee Revamps Ride with the Devil

In the stellar career of Ang Lee, one movie stands out like a sore thumb, not only as one of his few boxoffice clunkers, but as a film which he edited for a studio. "Of the 11 films I worked on with Ang, it's the only one that was not his cut," says Lee's longtime writer-collaborator James Schamus, who will appear with Lee onstage at the Walter Reade after the work-in-progress director's cut of Ride with the Devil screens August 10 during the Film Society at Lincoln Center's complete Lee retrospective.
  • By Anne Thompson
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  • August 6, 2009 11:31 AM
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  • 3 Comments

Letter to the Studios: How Not to Market Adult Dramas

Here's the first of a series of pieces (which do not necessarily reflect my POV) by guest bloggers on various aspects of the entertainment industry. Now based in Nampa, Idaho, Mike Kaplan is a veteran filmmaker (Never Apologize) and marketer who has managed campaigns for Stanley Kubrick (2001: A Space Odyssey) and Robert Altman (Short Cuts) among others. More recently, please note, Kaplan helped to introduce Clive Owen to American audiences with the sleeper hit Croupier and You'll Sleep When I'm Dead. Here's his argument for how the studios are killing adult dramas--through misguided marketing. Kaplan came up in a film industry that made producing and marketing films for grown-ups its first priority. That is no longer the case.
  • By Mike Kaplan
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  • August 5, 2009 9:34 AM
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  • 15 Comments

Cameron's Blue Avatar, Swinton Hauls Movies, Moore Traverses Fest, Ebert's Best Movies

James Cameron’s new poster for Avatar is an extreme close-up of a blue Nav'i alien from the Planet Pandora. It’s an arresting image that makes you stop and pay attention. Cameron wants you to know he’s taking you somewhere you’ve never been before. Jeff Wells hates this poster. There’s plenty of time between now and December 18 for the Fox marketers to figure out their message. I suspect that one reason they’re showing the 15 minutes in IMAX theaters on August 21 is that they know showing the film is their best approach.
  • By Anne Thompson
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  • August 5, 2009 3:30 AM
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  • 2 Comments

Downey Banks on Franchises Iron Man 2 and Sherlock Holmes

Downey Banks on Franchises Iron Man 2 and Sherlock Holmes
What a difference a year makes. With Iron Man and an Oscar nom for Tropic Thunder behind him, A-list movie star Robert Downey, Jr. had a good Comic-Con. Backstage after Iron Man 2, he suggested that he's uncomfortable marketing movies, although he knows he has to do it, and that he hated the whole Hall H thing. If that's true, it doesn't show. He works the crowd better than anyone. He was hawking not only Iron Man 2, which had a stellar reaction--probably the best of the annual comics confab--but he genuinely adored playing the character Sherlock Holmes.
  • By Anne Thompson
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  • August 4, 2009 9:18 AM
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  • 0 Comments

Hollywood Confronts New Austerity

Hollywood Confronts New Austerity
Patrick Goldstein calls around to nail down the new austerity hitting Hollywood. And Kim Masters details pay cuts for Denzel Washington and Tom Cruise, as well as how cost-cutter Disney is trying to deal with spendthrift producer Jerry Bruckheimer, the exemplar of Hollywood's old ways.
  • By Anne Thompson
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  • August 4, 2009 4:27 AM
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  • 0 Comments

Studios Play it Safe

Studios Play it Safe
Steven Spielberg is directing a remake of the Universal/Broadway classic Harvey; he's seeking a star like Tom Hanks or Will Smith to star. Fox is partnering with DreamWorks/Reliance to produce the movie about a six-foot, invisible rabbit.
  • By Anne Thompson
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  • August 3, 2009 2:47 AM
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  • 10 Comments

Universal Troubles Started With DreamWorks Exit

Universal Troubles Started With DreamWorks Exit
Universal execs are heaving a huge sigh of relief with the $23.5 million estimated opening weekend for Judd Apatow's edgy comedy Funny People, starring Adam Sandler, Seth Rogen and Apatow's wife, Leslie Mann. The movie scored mixed reviews and played best for men. Women hated it . It's a pity that the studio wasn't able to help Apatow whip his sprawling two and half hour comedy into submission. The movie was ambitious, brilliant, dark and out of control, and I suspect the box office will fall steeply on word-of-mouth.
  • By Anne Thompson
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  • August 2, 2009 7:25 AM
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  • 9 Comments

Cameron talks Avatar

Cameron talks Avatar
When I talked to James Cameron at Comic-Con (below), he admitted that he and producer Jon Landau know that they have a lot of heavy lifting to do before the 3D sci-fi epic Avatar hits screens on December 18. 24 minutes of footage played great at the Con, where Cameron announced that Fox will screen 15 minutes in IMAX on August 21 for free on 35 screens around the country. But the VFX-packed fantasy lacks major stars and is not based on anything (god forbid, it's an original), so the movie will need a major marketing push from Fox. Which is what the Con was all about.
  • By Anne Thompson
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  • July 30, 2009 2:58 AM
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  • 0 Comments

An Education Poised for Awards Contention

Lone Scherfig and Nick Hornby's An Education emerged from Sundance as a serious awards contender. Anyone who saw the film there witnessed a remarkable debut: Carey Mulligan boasts Audrey Hepburn-style class, charisma and smarts. In the film, she's well-cast as a sharp and sexy 60s high schooler bursting to break out into the bigger world. Peter Sarsgaard (with an impeccable British accent) is the older rake who gives her what she wants and steals her innocence in the bargain. Sony Pictures Classics should steer this picture to critical praise and major awards.
  • By Anne Thompson
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  • July 30, 2009 1:21 AM
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  • 0 Comments

Fox Searchlight's Crazy Heart Acquisition Marks Changing Market

In one of the first acquisitions since Peter Rice left Fox Searchlight to run Fox TV, Searchlight co-presidents Nancy Utley and Steve Gilula acquired worldwide rights to rookie director Scott Cooper's Crazy Heart, which stars Jeff Bridges as an aging country star and Maggie Gyllenhaal as a young reporter. T-Bone Burnett supervised a country music soundtrack. The distrib paid low seven figures. "We just liked it," says one Searchlight executive.
  • By Anne Thompson
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  • July 21, 2009 6:49 AM
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  • 0 Comments

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