One reason that Werner Herzog's docs are so compelling and entertaining is that his powerful personality is all over them, commenting, narrating, querying. Herzog's docs, as lauded as they are, are often overlooked by the Oscar documentary branch, which nominated while Encounters at the End of the World but did not recognize Grizzly Man, Into the Abyss and Cave of Forgotten Dreams (which was not screened in 3-D). (Michael Moore cites these oversights in his successful quest for changing the Academy rules.) "It's not easy to figure out how the system works," says Herzog. "It doesn't give me sleepless nights. This one is more what they think the documentary is supposed to be. It's so straightforward. No radioactive albino crocodiles. No commentary."
- By Anne Thompson
- |
- October 3, 2011 8:18 AM
- |
- 0 Comments
Recent Comments
The comedic cynicism exhibited during this year's Oscar awards ceremony was attempting to
I find it hard to believe that Hitchcock was approached to direct this. I would need to see some
Tina Fey and Amy Poehler