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Thompson on Hollywood

TIFF Between a Rock and Hard Place: Boyle and Franco Talk 127 Hours

I interviewed 127 Hours producer Christian Colson and writer Simon Beaufoy, the same team who worked with Danny Boyle on Slumdog Millionaire, just before my flipcam chat with Boyle and James Franco (below).
  • By Anne Thompson
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  • September 16, 2010 3:09 AM
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IFC Makes Second Toronto Buy: Herzog's Cave of Forgotten Dreams, in 3-D

IFC Films has acquired all U.S. rights (except TV) to Werner Herzog’s 3-D documentary Cave of Forgotten Dreams, which explores the ancient walls of Chauvet-Pont-d’Arc cave in the south of France. Herzog was able to get access to areas that have been off-limits by deploying special no-heat lights.
  • By Anne Thompson
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  • September 15, 2010 11:15 AM
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TIFF: Tony Goldwyn Talks Conviction, Betty Anne Waters, Hilary Swank, Sam Rockwell

At this year's Toronto Film Fest, indieWIRE interviewed filmmakers and stars at Live at the Lounge every day. In my talk with Conviction director Tony Goldwyn (video below), he admitted, as David Schwimmer had several days earlier with rape drama Trust, that serious dramas are the hardest films to finance.
  • By Anne Thompson
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  • September 13, 2010 11:19 AM
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TIFF: Affleck Talks The Town

TIFF: Affleck Talks The Town
After playing Venice and Toronto, Ben Affleck's sophomore directing effort The Town, in which he stars himself this time, opens Friday. It's a straightforward entertaining character-driven genre piece set in Boston based on a novel by Chuck Hogan about a Charlestown gang of bank robbers who are under avid pursuit by the FBI. Affleck is trying to make a movie that's both smart and mainstream; he gives himself a juicy role as a wily robber who falls in love with a bank staffer (Rebecca Hall) and then looks to get out. Jeremy Renner is charismatic and dangerous as his trigger-happy partner in crime, while Jon Hamm is wasted in a dull role as an FBI agent. Blake Lively is believably sexy and pathetic as Affleck's angry, drug-addicted ex-girlfriend scorned.
  • By Anne Thompson
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  • September 13, 2010 3:48 AM
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  • 3 Comments

Venice Wrap: Best of Fest, Winners and Losers, Golden Lion Goes to Somewhere

Venice Wrap: Best of Fest, Winners and Losers, Golden Lion Goes to Somewhere
The Venice Film Festival, the oldest in the world, is winding up its 67th edition, my first. (UPDATE: The Golden Lion award went to Sofia Coppola's Somewhere on Saturday amid charges of favoritism on the part of jury president Quentin Tarantino; they once dated.) Venice is more intimate than Cannes, with less of a junket/market/party/circus feel, and very European. And yet for seven years fest director Marco Muller has lured more than a few star-studded Hollywood event films to the Lido (the small island is a vaporetto-ride from the most elegant tourist attraction in Europe). (Check out my flip cam interview with Muller below).
  • By Anne Thompson
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  • September 11, 2010 12:09 PM
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  • 1 Comment

Exclusive Clip: Never Let Me Go

Exclusive Clip: Never Let Me Go
Pre-Toronto, we're happy to reveal a new, exclusive clip of Never Let Me Go (here's TOH's positive review). Director Mark Romanek and writer Alex Garland's adaptation of Kazuo Ishiguro's novel features Carey Mulligan, Keira Knightley and Andrew Garfield as students of Hailsham boarding school, a mysterious institution set in an alternative past in Britain. The three struggle to define their existence and the nature of love after being confronted with a dark destiny.
  • By Cameron Carlson
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  • September 9, 2010 2:59 AM
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Fassbender/McQueen Reunite, Studio Critique, Love And Other Drugs, Mulligan Talks Never Let Me Go

- The Guardian calls Hollywood's summer box office victory - approximately a 2.4% lead on 2009 - a hollow one; "the abiding memory of summer 2010 will be of a decline in standards" (the standards of storytelling, not technical effects). The arguments behind this hollow victory include the decline in actual people in theatre seats (lowest since 1997) and the rise in revenue (thanks, 3-D), the root of which conflicts with studios' growing challenge to stay relevant amongst growing sources of alternative entertainment (if they're only making movies for profit, they're undermining the argument for preserving the relevance of film). The Guardian also disses too many studio-approved screenplays that "too often settle for tired storylines, hackneyed dialogue and vacuous characters hiding behind music video sensibilities and loud explosions." The Guardian does see hope in the next year (including Never Let Me Go, but warns another "creatively impoverished" season of films will descend upon us sooner or later.
  • By Sophia Savage
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  • September 8, 2010 7:30 AM
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Video: Noomi Rapace Moves Beyond Salander and the Millennium Trilogy

One of the trickiest moves to make as a young star is coping with sudden fame--especially when it is attached to a beloved character. Swedish actress Noomi Rapace created the role of Lisbeth Salander in the Swedish films based on Stieg Larsson's "Millennium Trilogy"; the films made her a star all over the world (the trilogy has grossed $220 million so far worldwide – and $110 million for "The Girl with the Dragon Tattoo." But like the "Twilight" stars, whether she can make a career outside Sweden in other roles, in other languages, is another question. As you can see from the interview below shot in Venice 2010, Rapace speaks fluent English. UPDATE: She has been getting offers from Hollywood, from the "Sherlock Holmes" series to "Prometheus." The question was what she would do with them. Now we know. She's a global star.
  • By Anne Thompson
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  • September 7, 2010 12:20 PM
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  • 4 Comments

Venice Press Conference: Coppola, Dorff and Fanning Talk Somewhere

Video of the Venice Somewhere press conference with (a soft-spoken) Sofia Coppola, Stephen Dorff and Elle Fanning is in two parts, below. Coppola was a good deal more forthcoming in her later one-on-one interview with me, which I will eventually transcribe and post.
  • By Anne Thompson
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  • September 6, 2010 12:55 PM
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Fest Review Round-Up: Never Let Me Go, Tabloid, Somewhere

Fest Review Round-Up: Never Let Me Go, Tabloid, Somewhere
While the Venice Fest is on its fourth day, Telluride got under way Friday night with screenings of Mark Romanek's Never Let Me Go, Errol Morris's latest doc Tabloid and Peter Weir's prisoner-of-war drama The Way Back, which fewer people instantly reviewed. @EugeneNovikov tweeted: "THE WAY BACK (B) I was rapt for the first half- Weir at his hypnotic best - then becomes a bit repetitive and mechanical (if still powerful)." UPDATE: Here's the NYT's A.O. Scott.
  • By Anne Thompson
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  • September 3, 2010 8:30 AM
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  • 11 Comments

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