Click to Skip Ad
Closing in...

Blogroll

Thompson on Hollywood

Post-Sundance Indie Landscape, New Faces

Post-Sundance Indie Landscape, New Faces
The Sundance Festival unfolds in two parts: what gets seen during the festival itself, and what happens afterwards.
  • By Anne Thompson
  • |
  • February 22, 2010 1:55 AM
  • |
  • 2 Comments

Oscar Talk 22: Dueling Oscar Producers, Weinstein's Inglourious Basterds Push, Bullock Talks

Kris Tapley and I dig into the meat of the matter this week as the Oscar season goes into overdrive. Are voters trying to rig the top ten? What has a better shot of winning, The Hurt Locker, Avatar or Inglourious Basterds, which Harvey Weinstein has been relentlessly flogging? Are Oscar producers Adam Shankman and Bill Mechanic (who aren't getting along) going to be able to put together a strong show with ten best picture nominees and no Oscar-nominated songs?
  • By Anne Thompson
  • |
  • February 19, 2010 10:04 AM
  • |
  • 0 Comments

Film Department, Overture, Apparition, Weinsteins Sell Sizzle In Tough Economy

As Mark Gill and Neil Sacker's Film Department seeks new funding via an IPO, they're announcing that they're plunking down some of their remaining cash on a new script produced by Michael De Luca, the original action-comedy True Memoirs of an International Assassin, written by Jeff Morris. Why telegraph this news?
  • By Anne Thompson
  • |
  • February 3, 2010 11:33 AM
  • |
  • 0 Comments

#Sundance: Weinsteins Buy Blue Valentine, Chase The Tillman Story

#Sundance: Weinsteins Buy Blue Valentine, Chase The Tillman Story
Harvey Weinstein, who has been ubiquitous at Sundance, has finally bagged a big catch: Derek Cianfrance's $5-million Blue Valentine, starring Ryan Gosling and Michelle Williams as a married couple on the rocks. As Disney closed the doors Friday on the Weinsteins' old company Miramax (named after their parents), the newly invigorated TWC is also nearing a deal on Sundance doc fave The Tillman Story. TWC was also in the bidding for The Kids Are All Right, which went to Focus Features.
  • By Anne Thompson
  • |
  • January 29, 2010 7:06 AM
  • |
  • 1 Comment

Oscar Watch: WGA Eligibility Issues Dog An Education, Weinstein Films

Oscar Watch: WGA Eligibility Issues Dog An Education, Weinstein Films
It's good to get an Oscar boost from the various guilds, but eligibility requirements often make that attention and credibility lift impossible.
  • By Anne Thompson
  • |
  • January 6, 2010 9:51 AM
  • |
  • 1 Comment

Oscar Talk Episode Thirteen: Avatar, Lovely Bones, Crazy Heart, Parties

Kris Tapley and I discuss the week's frenetic doings: National Board of Review, parties for The Hurt Locker, Crazy Heart and The Lovely Bones, and the upcoming sci-fi monster Avatar.
  • By Anne Thompson
  • |
  • December 6, 2009 12:30 AM
  • |
  • 2 Comments

Things I Heard on the Oscar Party Circuit

'Tis the season for Oscar parties. They come in different shapes and sizes.
  • By Anne Thompson
  • |
  • December 4, 2009 11:31 AM
  • |
  • 3 Comments

Precious, Last Station Score Five Indie Spirit Noms

Precious, Last Station Score Five Indie Spirit Noms
It was amusing watching announcers Matt Dillon and Taraji Henson maul the global Independent Spirit Awards nominees live on UStream Tuesday morning: they couldn't wrap their tongues around many of the names. Precious: Based on the Novel 'Push' by Sapphire and The Last Station dominated with five nominations apiece. Best feature and best actor nominee 500 Days of Summer and best director James Gray (Two Lovers) were other big surprises. The announcement of Paramount's breakout thriller Paranormal Activity for best first feature (made for $15,000), brought gasps in the room. Excellent move: that film defines an indie breakout.
  • By Anne Thompson
  • |
  • December 1, 2009 4:08 AM
  • |
  • 4 Comments

Hillcoat Talks The Road

It's been a long haul for the film adaptation of the 2006 Cormac McCarthy bestseller The Road, which producer Nick Wechsler acquired before it was published. With backing from 2929 Entertainment and distributor The Weinstein Co., he approached Australian director John Hillcoat after he had made the much-admired 2005 western The Proposition, a stylishly gritty take on the genre written by Nick Cave and starring Guy Pearce and Danny Huston as estranged brothers.
  • By Anne Thompson
  • |
  • November 19, 2009 9:23 AM
  • |
  • 0 Comments

Oscar Watch: Brothers, Vogue on Nine, Leibovitz Video

Oscar Watch: Brothers, Vogue on Nine, Leibovitz Video
Upbeat Oscar blogger Pete Hammond wonders if Jim Sheridan's Brothers could be another contender for Lionsgate, which already has Precious: Based on the Novel 'Push' by Sapphire well on its way.
  • By Anne Thompson
  • |
  • November 10, 2009 4:37 AM
  • |
  • 4 Comments

Email Updates