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Thompson on Hollywood

And Then There Were None: Critics on Death Watch

I'm late to weigh in on the news that the Village Voice had axed film critic Nathan Lee earlier this week (which was neither as juicy nor as surprising as the in-fighting that followed on The Reeler). Word has it that revenues are way, way down at the chain and at least one of our friends at the LA Weekly will likely be pounding the pavements before the week is out.
  • By Anne Thompson
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  • March 27, 2008 4:55 AM
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Post-Oscar Wraps: Cody, Madonna, Show Review

There's a bunch of post-Oscar stuff on the web today, including this classic shot of Diablo Cody on the morning after. (Other folks are dredging up dated old Cody photos she'd probably rather forget.) I too was moved by her honest emotion on Oscar night. There's also a video spoof of Cody which I decided not to post because I didn't think it was funny. UPDATE: The A.P. details the Cody backlash. I'm glad to hear she's lying low for the foreseeable future.
  • By Anne Thompson
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  • February 26, 2008 8:12 AM
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WGA Awards: Cody vs. Gilroy, Coens vs. Harwood

You may recall that because of the Writers strike, the WGA Awards show was cancelled. How odd that the same day that on the WGA members are deciding the fate of the strike, they are also announcing the awards (at 7 PM Pacific).
  • By Anne Thompson
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  • February 9, 2008 7:36 AM
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Strike Watch: It's Not Over 'Til It's Over

While much of the entertainment industry is holding its breath that on Saturday thousands of members of the Writers Guild in NY and LA will signal thumbs up on the tentative deal that could end the strike, there are rumblings that it could go either way. UPDATE: Here's Dave McNary's latest report on the details of the deal, posted at 3:38 AM Pacific Time (!).
  • By Anne Thompson
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  • February 8, 2008 7:39 AM
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Oscar Watch: The Nominees Luncheon

[Posted by Tim M. Gray] If there were any lingering doubts about the Oscarcast, AMPAS president Sid Ganis put them to rest on Feb. 4 by announcing, in a calm voice, "There's no doubt about it, we are going to do it."
  • By Anne Thompson
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  • February 4, 2008 7:49 AM
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Oscar Watch: National Society Picks There Will Be Blood

We knew the various critics groups would go for No Country for Old Men and There Will Be Blood, as the National Society of Film Critics did Saturday. This means each film gets a boost during this all important ballot-filling season. What fascinates me is whether the Academy goes the same way as the critics. (Tom O'Neill goes underground with the NSFC voting.)
  • By Anne Thompson
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  • January 6, 2008 7:31 AM
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Holiday Round-Up

The year-end results are in, from ten best lists to holiday openings (here's Pam McClintock's b.o. wrap). So what does it all mean?
  • By Anne Thompson
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  • January 2, 2008 7:36 AM
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Awards Gauntlet Syndrome

Pity the poor filmmaker with an Award season movie to flog. If it's good enough to have a shot at some awards attention, then the distrib is going to make you do the rounds: the guild screenings and Q & As, the dinners, the AFI Fest, the Hollywood Fest, the Variety screening series, my UCLA Sneak Previews class, the Behind the Camera Awards--and that's just the beginning. As we go on there's the gauntlet of awards ceremonies, the LA and NY critics, the Board of Review, the Indie Spirits, The Gothams, the Golden Globes, the SAG Awards. The real horror is keeping the thing going all the way to the Oscars. If I were Julian Schnabel, I'd pack my PJs and head back to NYC right now.
  • By Anne Thompson
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  • December 11, 2007 5:32 AM
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No Country for Old Men: That Pesky Ending

I'm having big debates about No Country for Old Men, especially the ending. If you've read the Cormac McCarthy book, you know that the Coens have done a very faithful adaptation, which McCarthy admires. [SPOILER ALERT] The duo was attracted to the very things that make the movie unconventional: a major character dies, and the forces of good don't triumph over the forces of evil at the end.
  • By Anne Thompson
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  • November 27, 2007 6:52 AM
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No Country for Old Men's Ending Sparks Debate

I'm having big debates about No Country for Old Men, especially the ending. If you've read the Cormac McCarthy book, you know that the Coens have done a very faithful adaptation, which McCarthy admires. [SPOILER ALERT] The duo was attracted to the very things that make the movie unconventional: a major character dies, and the forces of good don't triumph over the forces of evil at the end.
  • By Anne Thompson
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  • November 27, 2007 1:42 AM
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