Click to Skip Ad
Closing in...
Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Of Time & Life: How 'Mad Men' Remade Television Of Time & Life: How 'Mad Men' Remade Television Nikki Finke Returns Nikki Finke Returns Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Festival Is Dominated by Two Hollywood Masters Cannes Festival Is Dominated by Two Hollywood Masters Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Weinstein Co. Offers Strong Slate at Cannes Weinstein Co. Offers Strong Slate at Cannes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes The Top 20 Episodes of 'Mad Men' The Top 20 Episodes of 'Mad Men' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

Talking Benedict Cumberbatch, Dragon Secrets and More with the Oscar-Nominated Sound Editors of 'Smaug'

Thompson on Hollywood By Bill Desowitz | http://billdesowitz.com February 5, 2014 at 2:53PM

In returning to Middle-Earth for the second "Hobbit" adventure, "The Desolation of Smaug," Oscar-nominated sound editors Brent Burge and Chris Ward were given a gift with the very hot Benedict Cumberbatch. But when he was first announced, they were apprehensive that his overexposure on "Sherlock" and "Star Trek Into Darkness" might make his voice too familiar. But that all changed when he showed up and got down on his hands and knees, played around with his voice, and became the dragon.
0
The Hobbit: The Desolation of Smaug

In returning to Middle-Earth for the second "Hobbit" adventure, "The Desolation of Smaug," Oscar-nominated sound editors Brent Burge and Chris Ward were given a gift with the very hot Benedict Cumberbatch. But when he was first announced, they were apprehensive that his overexposure on "Sherlock" and "Star Trek Into Darkness" might make his voice too familiar. But that all changed when he showed up and got down on his hands and knees, played around with his voice, and became the dragon.

Cumberbatch doing Smaug mo-cap
Cumberbatch doing Smaug mo-cap

"It was an opportunity to experiment with Benedict," offers Ward. "Early on, during the first 'Hobbit' film, we made some recordings about what the quality of the dragon's voice might be like. You could almost say it was like an audition. We had some very good results with some new miking arrangements that we'd been thinking about. Obviously with Gollum, Kong, and now Smaug, these digital characters seem to pop up in Peter Jackson's films, and it's important to him that these are living and breathing creatures, so we experimented a bit. 

"But when it came time to do the actual voice, Benedict came in for two days and we built a platform in the ADR stage so that he was above everyone, even though he was on his hands and knees, because he wanted to basically play the lizard. Then he would thrust his neck out and that physically changed the delivery of the sound. I believe that through the process it became more reptilian because early on he was playing with snake-like tongue movements and using sibilance a lot. It was a total physical performance."

In fact, going off a list of "dragonisms" recommended by sound designer David Farmer, Cumberbatch came up with a range of appropriate sounds to enhance the performance. These included snoring, waking to different breaths, licking his lips with glee at the thought of devouring Martin Freeman's Bilbo, as well as an assortment of humming sounds and other musings.

This article is related to: The Hobbit: The Desolation of Smaug, Sound, Immersed In Movies, Oscars, Thompson on Hollywood, Awards, Awards Season Roundup, Peter Jackson


E-Mail Updates






Festivals on TOH