Click to Skip Ad
Closing in...
Friday Box Office: 'Adaline' Bumps 'Furious' for a Day; 'Kurt Cobain' Big in 3 Theaters Friday Box Office: 'Adaline' Bumps 'Furious' for a Day; 'Kurt Cobain' Big in 3 Theaters Remembering Film Critic Richard Corliss (1944-2015) Remembering Film Critic Richard Corliss (1944-2015) Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent" Cannes: Denis Villeneuve Says Drug War Film 'Sicario' Is "Very Dark" and "Quite Violent" How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' How Do You Solve a Problem Like Erika? Universal Hires Husband to Write 'Fifty Shades Darker' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' 'Age of Ultron' Director Joss Whedon on Self-Doubt and Why It's His 'Rio Bravo' Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) CinemaCon: How Tom Cruise Stole the Paramount Show CinemaCon: How Tom Cruise Stole the Paramount Show Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) Meet the Director of 'Tangerines,' the 2015 Dark Horse Oscar Nominee You Missed (Exclusive Video) LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film LA Film Fest Unveils Horror Slate, More World Premieres, Zoe Cassavetes Film Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Cannes: Directors' Fortnight Lines Up Vet Auteurs and American Indies Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Joe Wright's 'Pan' Gets Fall Release Date: Good News or Bad News? Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) Seeing Ryan Gosling's 'Lost River' Through Composer Johnny Jewel's Eyes (STREAM SOUNDTRACK) 3 Women Genre Directors Get SF Film Society Fellowships 3 Women Genre Directors Get SF Film Society Fellowships Here's Why Jon Stewart Quit 'The Daily Show' Here's Why Jon Stewart Quit 'The Daily Show' Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Watch: From Tarantino to Cronenberg, Great Directors Talk the Art and Anxiety of Filmmaking Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Specialty Box Office: 'True Story' and 'Child 44' Flop as 'Ex Machina' Lures Audiences Tribeca Film Festival Matches George Lucas with Stephen Colbert: “I’m gonna tear you a new one, George" Tribeca Film Festival Matches George Lucas with Stephen Colbert: “I’m gonna tear you a new one, George" 10 Films Booed at Cannes That Every Cinephile Should See 10 Films Booed at Cannes That Every Cinephile Should See 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 5 Things You Didn't Know About Lars von Trier, Who's Going Back to Work 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO) 7 Things to Learn from 'Mad Men' Creator Matthew Weiner About Compelling Storytelling (EXCLUSIVE VIDEO)

Talking 'The LEGO Movie' with Directors Phil Lord and Chris Miller

Photo of Bill Desowitz By Bill Desowitz | Thompson on Hollywood February 7, 2014 at 4:15PM

There's more than meets the eye in "The LEGO Movie." It's not only smart and witty but it also explores the essence of LEGO and Master Building and, finally, storytelling in a Pirandello-like way. I spoke with directors Phil Lord and Chris Miller (at LEGOLAND, of course) about making a subversive movie at Warner Bros. that pokes fun of studios, franchises and safe storytelling.
0
'The LEGO Movie'
'The LEGO Movie'

There's more than meets the eye in "The LEGO Movie." It's not only smart and witty but it also explores the essence of LEGO and Master Building and, finally, storytelling in a Pirandello-like way. I spoke with directors Phil Lord and Chris Miller (at LEGOLAND, of course) about making a subversive movie at Warner Bros. that pokes fun of studios, franchises and safe storytelling.

Bill Desowitz: You've managed to make a subversive studio movie with an anti-commercial message. And as long as it's a big hit, it's win-win.

Phil Lord: Yeah, everybody wins.

And it reminded me of a bigger "Clone High."

Chris Miller: Yeah, for sure. It's like bringing in a lot of weird characters that don't belong.

PL: If you think about it, we haven't evolved at all as filmmakers -- we're just doing the same bit.

But this is a lot more complicated with so much detail.

PL: Yes, we were mixing the movie and we would go...

CM: I didn't remember seeing this in the background and I must've approved it 10 times.

PL: Wasn't it like a pig falls off of the train and then lands on the ground and then explodes into a bunch of sausages.

How many gags are there?

CM: I don't know how many gags per minute there are.

PL: You encourage people to add stuff from their own lives and you just get this big grab bag and everybody's in the pool. And then it really messes you up at the mix because you have to decide what's important.

CM: As long as your eye isn't so distracted, you don't know where to look. But you're definitely rewarded on multiple viewings.

Read the rest of this interview over at Animation Scoop.

This article is related to: Interviews, Interviews , The Lego Movie


E-Mail Updates