Click to Skip Ad
Closing in...

Tarantino's Inglourious Basterds Opens Strong

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood August 23, 2009 at 2:36AM

Quentin Tarantino's Inglourious Basterds opened strong Friday night, raking in an estimated $14.3 million. (We'll see how it holds.) Reviews were mixed, 69 on Metacritic. Richard Corliss, Roger Ebert and Jim Hoberman were thumbs up on this cinephile's fantasy, while Ken Turan, David Denby and Manohla Dargis were thumbs down on the slow-paced, often ridiculous alternative take on history. Here's New Yorker blogger Richard Brody and LA Weekly's Tarantino Q & A.. UPDATE: Looks like a $37-million opening, and great opening overseas, too. The film performed similarly to last weekend's District 9.
3
Thompson on Hollywood

Quentin Tarantino's Inglourious Basterds opened strong Friday night, raking in an estimated $14.3 million. (We'll see how it holds.) Reviews were mixed, 69 on Metacritic. Richard Corliss, Roger Ebert and Jim Hoberman were thumbs up on this cinephile's fantasy, while Ken Turan, David Denby and Manohla Dargis were thumbs down on the slow-paced, often ridiculous alternative take on history. Here's New Yorker blogger Richard Brody and LA Weekly's Tarantino Q & A.. UPDATE: Looks like a $37-million opening, and great opening overseas, too. The film performed similarly to last weekend's District 9.

Inspired by Inglourious Basterds, MTV Movies collects five of cinema's most bad-ass Jewish action heroes.

Here's Matt Zoller Seitz's compilation of memorable Tarantino dialogue bits:

[Photo courtesy LA Weekly]

This article is related to: Box Office, Directors, Headliners, Independents, Video, Reviews, Summer, Quentin Tarantino, Brad Pitt, Weinsteins


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.