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Ted Hope Names the Really Bad Things in Indie Film 2012

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood December 27, 2012 at 3:16PM

Ted Hope sees that there is a a lot wrong with our culture and that it has a damaging effect on the filmmaking business. He lays out the 24 Really Bad Things In The Indie Film Biz 2012.
Starlet (TOH! exclusive image)
Sean Baker's 'Starlet'

There's plenty wrong with our culture, says indie producer and San Francisco Film Society Executive Director Ted Hope, and it has a damaging effect on the filmmaking business. He lays out the 24 Really Bad Things In The Indie Film Biz 2012.

A handful are below. Consider his complete list here.

- There is not enough money to teach media literacy in the schools.  We are bombarding  kids with content and yet we don’t give them tools to decipher it. let alone defend themselves against it.  It’s great all the conversation that Zero Dark Thirty has stirred up, but it only underlines the support we must give our children.

- VOD is still treated as a second-class citizen as VOD premieres can’t get reviewed in major media outlets.  I am thankful we have On Demand Weekly, but when will the major media publications get wise to it?  And why is this not happening now?  Is it that they fear they would then lose the advertising for the movies?  Would they not be opening up a new advertising revenue source?  What’s wrong with this picture?

- Great reviews — even in the most important newspaper in the world — have no effect.  It used to be that indie & art film was good business because it was completely review driven.  You did not need to do much advertising if the critics gave you love.  Those days are dead and gone.  Two films I produced this year, DARK HORSE and STARLET got excellent NY Times reviews, but fat lot it did them...

- Although women directors proportionally make up the as many directors as men do in documentaries, they are not even close in narrative features.  This is true even if the Sundance competition is proportionally represented in terms of gender for the first time ever.  It sure took a long time to reach this point.  And how much does anyone want to bet that it slips back fast?  And what of all the festivals that are not so progressive?  Sure, folks say it really needs to always just be the best films, and I am not arguing for quotas anyway, it’s just that we need to acknowledge that the system does not grant the same opportunities to everyone.  And further, equal opportunity has never come close to providing equal outcome...

This article is related to: Lists, News, Indies, Independents, Production , Studios

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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.