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Telluride Film Festival Unveils 40th Anniversary Lineup; Includes 'Gravity,' 'Labor Day,' 'The Invisible Woman,' Cannes Entries and More

Thompson on Hollywood By Anne Thompson and Beth Hanna | Thompson on Hollywood August 28, 2013 at 11:24AM

The Telluride Film Festival has announced the official program selections of its 40th edition. Included in the lineup are Alfonso Cuaron's "Gravity," Jason Reitman's "Labor Day," Ralph Fiennes' "The Invisible Woman," John Curran's "Tracks" and Jonathan Glazer's "Under the Skin." Full lineup below.
Ralph Fiennes and Felicity Jones in 'The Invisible Woman'
Ralph Fiennes and Felicity Jones in 'The Invisible Woman'

        THE INVISIBLE WOMAN (d. Ralph Fiennes, U.K., 2013)


·       LABOR DAY (d. Jason Reitman, U.S., 2013)


·       THE LUNCHBOX (d. Ritesh Batra, India, 2013)


·       LA MAISON DE LA RADIO (d. Nicolas Philibert, France, 2013)


·       MANUSCRIPTS DON’T BURN (d. Mohammad Rasoulof, Iran, 2013)


·       THE MISSING PICTURE (d. Rithy Panh, Cambodia/France, 2013)


·       NEBRASKA (d. Alexander Payne, U.S., 2013)


 Berenice Bejo in "The Past"
Sony Pictures Classics Berenice Bejo in "The Past"

·       PALO ALTO (d. Gia Coppola, U.S., 2013)


·       THE PAST (d. Asghar Farhadi, France/Italy, 2013)


·       SLOW FOOD STORY (d. Stefano Sardo, Italy, 2013)


·       STARRED UP (d. David Mackenzie, U.K., 2013)


·       TIM’S VERMEER (d. Teller, U.S., 2013)

Mia Wasikowska in "Tracks"
Mia Wasikowska in "Tracks"


·       TRACKS (d. John Curran, Australia, 2013)


·       UNDER THE SKIN (d. Jonathan Glazer, U.K., 2013)


·       THE UNKNOWN KNOWN (d. Errol Morris, U.S., 2013)

This article is related to: Festivals, Telluride Film Festival, Telluride

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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.