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LAFF Mid-Fest Report: Reviews, Exclusive Clips and Ursula Meier Talks Oscar-Worthy 'Sister' (VIDEO)

Festivals
by Sophia Savage
June 19, 2012 7:17 PM
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"Pincus"
David Fenster's "Pincus"

This surprisingly moving drama reads like a documentary because of its gritty video quality and use of found-footage. Director Fenster uses his own father (living with Parkinson's disease) and late pal Dietmar, an alcoholic German builder, philosopher and avid reader, to infuse the story with undeniable authenticity as it follows its titular lead character through an often hilarious personal journey. "21 Jump Street" director Phil Lord executive produced and joined Fenster and leading man David Nordstrom at the LAFF premiere. He admitted he's not used to his work being judged on its artistic merit, but is clearly proud to be getting some indie cred. ThePlaylist has an exclusive clip; and here's the trailer.

Lorene Scafaria's "Seeking a Friend for the End of the World"

The high point of this odd film is when someone shouts that they want to do heroin to Radiohead, because why not? The world is ending. The apocalyptic romantic comedy is a tonal misfire, with tired pacing and redundant close-ups. Keira Knightley continues her over-acting streak, while Steve Carell plays his pathetic insurance salesman with the same likeability that infuses all his work. The actual apocalypse is secondary and mostly unseen, while the relationship between their Penny and Dodge characters casually develops as they accept the end as nigh. Its premise sets the movie up to go in a countless number of directions, and sadly it chooses the dullest, and most cliched.

Here's a deeper analysis and trailers for "People Like Us" and "Seeking a Friend for the End of the World."

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