Click to Skip Ad
Closing in...
Top 10 Takeaways: 'Mission: Impossible - Rogue Nation' Opens Strong, But Summer 2015 Has Peaked Top 10 Takeaways: 'Mission: Impossible - Rogue Nation' Opens Strong, But Summer 2015 Has Peaked Arthouse Audit: Controversy Reigns as 'End of the Tour' Tops Limited Newbies and Weinstein Dumps Jeunet's Latest Arthouse Audit: Controversy Reigns as 'End of the Tour' Tops Limited Newbies and Weinstein Dumps Jeunet's Latest Friday Box Office: Cruise and 'Mission: Impossible' Do Their Part, But Grosses Lag Friday Box Office: Cruise and 'Mission: Impossible' Do Their Part, But Grosses Lag Fall Calendar Reveals Awards Itinerary and Stealth Contenders Fall Calendar Reveals Awards Itinerary and Stealth Contenders Sarajevo Film Fest Lineup Has Auteurs, Cannes Winners and Favorites Sarajevo Film Fest Lineup Has Auteurs, Cannes Winners and Favorites Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) First Look: Cynthia Nixon Plays—and Narrates—Emily Dickinson in Two Films First Look: Cynthia Nixon Plays—and Narrates—Emily Dickinson in Two Films Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution Netflix and Marvel Shake Up TCAs, Amazon Rescues Bryan Cranston Pilot Netflix and Marvel Shake Up TCAs, Amazon Rescues Bryan Cranston Pilot 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? How HBO's 'Ballers' Fails Sports Fans How HBO's 'Ballers' Fails Sports Fans Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

'The Dark Knight Rises' Racks Up $30 Million, Second-Highest Midnight Show Gross Ever Marred by Colorado Tragedy

Thompson on Hollywood By Brian Fuson | Thompson on Hollywood July 20, 2012 at 2:44PM

With 3,825 midnight shows, Warner Bros.’ “The Dark Knight Rises” racked up an impressive $30.64 million – topping the $18.7 million of Disney’s “The Avengers” and marking the second-highest gross from midnight shows on a film debut in history. Only Warner Bros.’ “Harry Potter and the Deathly Hallows, Part 2” grossed more with $43.5 million.
1
The Dark Knight Rises

With 3,825 midnight shows, Warner Bros.’ “The Dark Knight Rises” racked up an impressive $30.64 million – topping the $18.7 million of Disney’s “The Avengers” and marking the second-highest gross from midnight shows on a film debut in history.

Only Warner Bros.’ franchise finale “Harry Potter and the Deathly Hallows, Part 2” grossed more with an outstanding $43.5 million during July of last year.  Summit’s “The Twilight Safa: Breaking Dawn, Part 1” and “The Twilight Saga; Eclipse” have the third and fourth-biggest midnight shows ever, with $30.25 million and $30 million, respectively.

But the elation over the stellar box office opening for the latest “Batman” film was marred by tragic events that took place at one screening in Aurora, Colorado that left 12 people dead and more injured. A lone gunman wearing a bulletproof vest broke in through the emergency door at a theater in the suburban mall, threw into the theater a tear gas canister or smoke bomb and began shooting into the crowd.

It’s unclear how much of an impact this horrific event may have on the weekend gross of “The Dark Knight Rises,” or on all filmgoing this weekend.

“Dark Knight Rises” opens in 4,404 theaters in North America today, with 332 IMAX screens-- an hour of the film was shot in the IMAX format. A solid $2.3 million of the midnight gross came from IMAX theaters.

Fandango reported yesterday that “Dark Knight Rises” was outpacing “The Avengers” in ticket sales at the same point in the sales cycle.  Christopher Nolan's final chapter of the trilogy sold out more than 2,000 showtimes nationwide and is on track to become one of Fandango’s top-selling movies of all time.  Sales for “Dark Knight Rises” accounted for 91% of daily ticket sales.

Midnight shows from 2008’s “The Dark Knight” grossed $18.5 million and that film’s first day tally, including midnight shows was $67.2 million.  “Dark Knight Rises” is already nearly half way there from the midnight shows alone.

Industry observers project that “Dark Knight Rises” will gross around $190 million this weekend, and that the film has a shot at topping the $207.4 million all-time record of “The Avengers.” But all of that was before the tragic event in Colorado.  The previous “Batman” film, “The Dark Knight,” had an opening weekend of $158.4 million.

Meanwhile, China has cleared "Dark Knight" to show in cinemas, but it may open opposite Sony tentpole "The Amazing Spider-Man."
 

This article is related to: Box Office, Box Office, Box Office, Batman, The Dark Knight Rises, Christopher Nolan, Warner Bros. Pictures, Warner Bros./New Line


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.