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Review: Kate Lyn Sheil Is the Beating Heart of 'The Heart Machine'

Photo of Beth Hanna By Beth Hanna | Thompson on Hollywood October 21, 2014 at 12:11PM

Zachary Wigon’s tale of long-distance relationship woes and paranoia 'The Heart Machine' opens in NY and hits iTunes on October 24.
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"The Heart Machine."
"The Heart Machine."

At SXSW, I must admit I was rather underwhelmed by the offerings. Maybe it was all the Brooklyn settings, or the abundance of 20 and 30-something malaise. Hasn’t this become stale by now? And this is coming from someone in the key demo to appreciate 20 and 30-something malaise.

However, one performance stuck with me. Kate Lyn Sheil ("Sun Don't Shine"), a ubiquitous face in the indie scene if not yet a well-known name like, say, Greta Gerwig or Joe Swanberg, is undeniably a standout in Zachary Wigon’s tale of long-distance relationship woes and paranoia, “The Heart Machine.” Sheil stands out not because she “kills” the performance -- it’s not a big, showy turn -- but rather because she underplays it. It’s a difficult, somewhat inscrutable role -- and, alas, female characters who make murky choices typically throw viewers for a loop -- but as I watched her I felt like I knew that person she was playing. This isn’t easy to do.

The Heart Machine

“The Heart Machine” isn’t literally about a long-distance relationship. Cody ("Newsroom"'s John Gallagher Jr, playing off-type) has made a strong online connection with Virginia (Sheil), who has told him she’s studying abroad for six months in Berlin. But Cody is having doubts. Things don’t add up -- the sirens he hears in her background over Skype aren’t the instantly recognizable drone of European ambulances, and the plug outlets in her apartment are suspiciously square and three-prong. Is Virginia lying to him about where she lives? And, if so, why? She’s clearly as into him as he is into her.

Cody becomes unhealthily obsessed with discovering Virginia’s whereabouts, and he turns into a downright creep in the process. As Cody devolves, scouring the East Vilage for hints and traces of his allusive girlfriend, and as Virginia meanwhile fights her own demons, we realize these two are indeed suffering from being “long-distance.” The internet can bring people together but also create an unsettling amount of space between them. This isn’t a new idea, but it’s effectively communicated in “The Heart Machine.”

The film, well directed by first-time feature helmer Wigon, does make the occasional misstep. There’s an implausible scene where Cody stalks a would-be Facebook friend of Virginia’s, and near the film’s end Virginia gives an on-the-nose explanation of her behavior, which isn’t needed.

But good characters anchor a film, even when it’s plotting or dialogue are momentarily derailed. In Sheil’s strong performance and her subtly written role created by Wigon, we feel the substantial amount of observant nuance -- and heart -- in “The Heart Machine.”

This article is related to: Reviews, Reviews, SXSW, South By Southwest Film Conference and Festival (SXSW), Kate Lyn Sheil, The Heart Machine


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.