"The Revolutionary Optimists" Avoids Perils of "Indian Poverty Porn"

Features
by Anthony Kaufman
March 28, 2013 1:09 PM
1 Comment
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"Slumdog Millionaire"
Ever since the success of Oscar-winning films "Born into Brothels" and "Slumdog Millionaire," India's slums and impoverished children have been a popular topic for Western filmmakers. Accusations of "poverty porn" are inevitable, however, and, when it comes to this former British colony, there's always a question of whether these films perpetuate age-old stereotypes of some backward "Orientalist" land, plagued with dirt, poverty and illness, all wrapped in exotic colors and bouncing music. 

Of course, huge portions of India, as revealed in "The Revolutionary Optimists" (opening Friday) and "Blood Brother" (this year's Sundance Grand Jury Prize and Audience Award winner) do lack basic services, but there are more and less responsible ways of conveying this predicament.

"The Revolutionary Optimists" takes us inside the work of a unique Bengali man, a dancer and former lawyer, who teaches kids living in urban slums not just how to read and write and dance, but also to empower themselves and their communities. We have seen this kind of thing before (i.e. "Brothels"), but "Optimists" is refreshing in that it presents a situation where the will to change comes not from the West, but from within.

Directors Nicole Newnham and Maren Grainger-Monsen also present the conditions of these kids without sentimentality, favoring a less ham-fisted and more observational approach. These people might have to walk two hours to stand in endless lines to get fresh water, but no one is crying about it, not even the filmmakers. 

Read the rest of this article here.

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1 Comment

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